In 1998, Geoff Burdick, an executive at James Cameron’s Lightstorm Entertainment, was hunched in front of a 12-inch monitor at a postproduction house, carefully preparing “Titanic” for release on LaserDisc and VHS.
The computer could erase these blemishes using a kind of copy-paste tool, concealing the defects with information from another frame.
“But there were a lot of folks who said, ‘This is not right!
As the picture quality has improved, restoration tools have evolved with them, making it easier than ever for filmmakers to fine-tune their work using computers.
“I think they look the best they’ve ever looked,” Burdick said.
Persons:
Geoff Burdick, James Cameron’s, Burdick, we’d, ”, Cameron, “, ” Burdick
Organizations:
Entertainment