DIRS.INFO The most relevant business & tech news

☆ Five things you probably didn’t know about the biggest art heist in history
▼ + stars: | 2024-05-19 | by ( Caitlin Chatterton | ) edition.cnn.com time to read: +8 min

On March 18 1990 the museum fell prey to history’s biggest art heist. Here are five things that make the Isabella Stewart Gardner Museum, and its famous theft, so interesting. Sean Dungan/Courtesy Isabella Stewart Gardner Museum, BostonWhy commit history’s greatest art heist and leave without the priciest piece in the museum? John Wilcox/Boston Herald/Getty ImagesWhy would “Corsican mobsters,” as CNN correspondent Randi Kaye described them in the programme, be interested in robbing a Boston art museum? “That’s how these things get stolen.”How It Really Happened’s “Gardner Art Heist: Stealing Beauty” premieres on CNN Sunday 19 May, at 9pm ET/PT.

Persons: ”, Andy Warhol’s, Frida Kahlo’s, Isabella Stewart Gardner, Vermeer, Rick Abath, Gardner, ” Stephan Kurkjian, ” Gardner, Julia Ward Howe, Ethel Smyth, Emmeline Pankhurst, Smyth, John Singer Sargent, Gardener, Mona Lisa, Titian, theives, Sean Dungan, Napoleon, Rembrandt, Bob Wittman, John Wilcox, Randi Kaye, ” Kaye, ” Kelly Horan, Myles Connor, —, theif Myles Connor, George Rizer, Connor, Al Dotoli, Frank Sinatra, Liza Minelli, Dotoli, Dionne Warwick —, ” Horan, “, Ryan McBride, ” Wittman, “ Gardner Organizations: CNN, The Museum, Modern Art, Salvador, Isabella Stewart Gardner Museum, 9P, Boston, Boston Symphony Orchestra, Red Sox, Boston Globe, Storm, FBI, Museum of Modern, Art, Boston Herald, Boston’s Museum of Fine Arts, Getty Locations: New York, Boston, America, Red, Europa, London, Galilee, Corsica, Nice, Corsican, Maine

☆ Seiji Ozawa: 8 Essential Recordings
▼ + stars: | 2024-02-09 | by ( Javier C. Hernández | ) www.nytimes.com time to read: 1 min

He also left behind an extensive and varied discography: recordings of warhorses like Tchaikovsky’s Symphony No. 6 with the Boston Symphony Orchestra, which he led for 29 years, as well as of more obscure pieces, such as Henri Dutilleux’s “The Shadows of Time.” While his live performances sometimes drew mixed reactions from critics, many of his recordings — from Boston, Berlin, Japan and elsewhere — are considered standards. “Even at my age, you change,” Ozawa, then in his 70s, told the author Haruki Murakami. “And practical experience keeps you changing. This may be one of the distinguishing features of the conductor’s profession: The work itself changes you.”

Persons: Henri Dutilleux’s “, ” Ozawa, Haruki Murakami, ” Organizations: Boston Symphony Orchestra Locations: Boston, Berlin, Japan

BOSTON (AP) — Andris Nelsons has agreed to a rolling contract as music director of the Boston Symphony Orchestra. The 45-year-old Latvian has been the BSO's music director since the 2014-15 season, when he began a five-year contract. That was replaced by an eight-year deal through 2021-22 and in October 2020 a three-year extension through the the 2024-25 season. The BSO said Thursday Nelsons also had been given an additional title as head of conducting at Tanglewood, the music and educational center that is the orchestra's summer home. Nelson also has been music director of the Leipzig Gewandhaus Orchestra since 2017-18.

Persons: — Andris Nelsons, Nelsons, Nelson Organizations: BOSTON, Boston Symphony Orchestra, Tanglewood, Leipzig Gewandhaus Orchestra, Associated Press Locations: Latvian

☆ At Tanglewood, the Boston Symphony Displays Its Heritage and Uncertain Future
▼ + stars: | 2023-08-15 | by ( David Allen | ) www.nytimes.com time to read: +3 min

Hints of a progressive Californian spirit were soon in evidence, as composers started appearing onstage at Symphony Hall in Boston to introduce their works, and the atmosphere began to feel more engaged. But Samuel lasted a mere 18 months, stepping down in January for reasons that are still not clear. Smith, who for a long time was the adventurous Philharmonic’s programming guru, is hugely respected, and his hiring is cause for excitement, if some trepidation. In addition, Elizabeth Rowe, the principal flutist whose distinctive, ever-so-slightly melancholy tone has defined the sound of the modern Boston Symphony, has announced that she will leave her position next year. She sued the orchestra in 2018 to secure pay equal to that of the oboist who sits to her left, John Ferrillo.

Persons: Mark Volpe, Gail Samuel, Samuel, Chad Smith, Smith, Malcolm Lowe, Lowe, Joseph Silverstein, Richard Burgin, Alexander Velinzon, Elita Kang, Tamara Smirnova, Elizabeth Rowe, John Ferrillo Organizations: Boston Symphony, Los Angeles Philharmonic, Symphony Hall Locations: Boston, Angeles, North America

One of the most significant developments in American classical music so far this century has been the ascendancy of the Los Angeles Philharmonic: a showcase of talent, inventive programming and strong finances that has become the envy of other orchestras. First, Gustavo Dudamel, the orchestra’s popular music director, announced that he would leave in 2026 to become the next music director of the New York Philharmonic. A few months later, Chad Smith, the Los Angeles Philharmonic’s chief executive officer, who championed and drove its inventive programming, announced he was resigning to run the Boston Symphony Orchestra. When Frank Gehry, the architect who designed the Los Angeles orchestra’s futuristic steel-clad home, Walt Disney Concert Hall, first heard the news that Smith was leaving, he initially said, quite bluntly, that he was “scared” by the double hit of departures. But he then explained that he remained hopeful, given the orchestra’s track record of successful reinvention.

Persons: Gustavo Dudamel, Chad Smith, Deborah Borda, Frank Gehry, Smith, I’ve, ” Gehry, “, ” Organizations: Los Angeles Philharmonic, New York Philharmonic, Los Angeles Philharmonic’s, Boston Symphony Orchestra, Walt Disney Concert Hall Locations: Angeles

☆ The Boston Symphony Finds Surprises and Strengths in New Music
▼ + stars: | 2023-04-26 | by ( Oussama Zahr | ) www.nytimes.com time to read: +1 min

When orchestras come to Carnegie Hall, their programs typically tell you two things: who they are and what they can do. Or when the Berlin Philharmonic and Kirill Petrenko opened up the complex worlds of Mahler’s Seventh with coordinated virtuosity. And over two nights at Carnegie this week, the Boston Symphony Orchestra and its music director, Andris Nelsons, told their story gradually, one piece at a time, in canonical works by Ravel, Rachmaninoff, Sibelius and Mozart. Among American orchestras, the Boston Symphony’s sound is enviably rich. That opulence was readily apparent in the ceaseless flow of cantabile melodies in Rachmaninoff’s Second Symphony.

☆ Yo-Yo Ma and the Meaning of Life
▼ + stars: | 2020-11-23 | by ( David Marchese | ) www.nytimes.com time to read: +20 min

“People need each other for support beyond the immediate staples of life,” Ma says. “They need music.”Do you think music is fundamentally good? Think about language, think about agriculture, think about navigation, think about engineering. I’m using culture.” It doesn’t need to be defined as “I’m going to play for you this piece of music.” It’s not that. I’m going to figure out what I can do with the cello.” He says, “I’m going to learn everything about the instrument.” He writes the first suite, second, third suites.

Persons: Bráulio Amado, Ma, ”, Kathryn Stott, ” Ma, I’ve, You’re, don’t, you’ve, David, Newton, you’re, It’s, ” It’s, “, who’s, Tell, I’m, Teddy, Oliver, It’ll, Ted Thai, we’ve, Bach, “ I’m, Clive Barda, Seiji Ozawa, ” — Anthony McGill, He’s, Manny Ax, Jeff Vespa Organizations: YouTube, Carnegie Hall, Getty, English, Orchestra, Boston Symphony Locations: London, United States, United States of America, Europe

Search resuls for: "Boston Symphony"

7 mentions found