Then, not long after she learns that Tawney’s old fiancé Cal, a director, is making a film about her life and still-unsolved murder, Salma discovers the body of a young actress, Ankine Petrosyan, in the pool at the same house where her sister lived, “suspended in the water, twisting gently like a ballerina in a music box.” Ankine’s resemblance to Tawney is so uncanny that Salma believes there must be a link between their deaths.
She sets her sights on Cal: She’s always believed he was guilty, and to prove it, she needs to finagle her way onto his movie set.
Sutton indicts our culture for its fixation on beautiful young women who died at the hands of others.
Salma grimly notes how eager her customers are to “fork over $75 to let tragedy crinkle the edges of their cookie cutter … lives, sprinkling Dead Girls over their Instagram feeds like a game of brunch, brunch murder.”
Persons:
Salma, Ankine Petrosyan, “, She’s, Sutton, Salma grimly, ”
Organizations:
Cal