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In the new episode, the city is hit by a powerhouse of a snowstorm, but the protagonists have places to be. Lisa Todd Wexley (Nicole Ari Parker) is discussing her film at the Museum of Modern Art. Carrie (Sarah Jessica Parker) and Che (Sara Ramirez) have to get to “Widow Con.” And Charlotte (Kristin Davis) is out in the snow searching drugstores on a complicated motherly mission to help her daughter Lily. Ahead of Episode 6, members of The New York Times’s Styles desk discussed the coats, patterns and earmuffs on display — sometimes barely visible through the squall — in the latest installment of the series. Jeremy Allen Carrie’s sweeping Moncler coat by Valentino’s Pierpaolo Piccioli is a high point of this episode for me.
Persons: Carrie Bradshaw, Lisa Todd Wexley, Nicole Ari Parker, Carrie, Sarah Jessica Parker, Che, Sara Ramirez, Con, , Charlotte, Kristin Davis, Lily, Times’s Styles, Jeremy Allen Carrie’s, Pierpaolo Organizations: Museum of Modern Art, The Locations: New York
CNN —The identity of the elusive street artist Banksy has always been shrouded in secrecy, but a new BBC podcast may have unveiled a new detail about the art world’s mystery man. The 10-episode series, “The Banksy Story,” includes a recording of what may be the graffiti artist’s voice from a recovered 2005 interview with US National Public Radio (NPR). “You can’t make an omelet (without breaking eggs),” he replies, before adding: “That’s the thing: Mindless vandalism takes a lot more thought than most people would imagine.”Since the 2005 interview, Banksy has become a household name. Bansky’s street art is currently featuring in his first official exhibition in 14 years. “Banksy: Cut & Run” at the Gallery of Modern Art in Glasgow, Scotland, features stencils used in work throughout his career, from the late 1980s to recent pieces made this year.
Persons: Banksy, , , , “ Banksy Organizations: CNN, BBC, US National Public Radio, York’s Museum of Modern Art, American Museum of, Brooklyn Museum, NPR, Modern Art Locations: Christie’s, London, Ukrainian, Borodianka, Glasgow, Scotland
When the Museum of Modern Art began collecting video games a decade ago, curators boldly asserted that games were an artistic medium. The MoMA exhibition “Never Alone: Video Games and Other Interactive Design,” which runs through Sunday, represents the museum’s cautious advance into the gaming world at a time when digital culture has overtaken its galleries. However, the museum could do more to break the firewall between art lovers and game designers. Curators need to unleash that same passion for games, which struggle in the current exhibition to convey the profundity, and complexity, of their designers’ thinking. On the first floor, old computer monitors cantilevered above visitors are drawn from the museum’s collection of video games.
Persons: John Maeda Organizations: Museum of Modern Art
As a result, the iconic Herman Miller chairs popular during the pandemic are ending up in landfills. More than three years after the Covid pandemic sent employees home, office spaces in New York City are still only half occupied, the New York Times reported. As those deserted offices clear out, their tenants have had to decide what to do with the abandoned office furniture. Lior Rachmany, the founder of Dumbo Moving and Storage, told the Times his company has "never seen so many Herman Miller chairs." MillerKnoll, Inc., which owns the Herman Miller brand, told Insider in a statement that it expanded its furniture repurposing program in May.
Persons: Herman Miller, , Lior Rachmany Organizations: Service, Museum of Modern, New York Times, Times, Environmental Protection Agency, Dumbo, Inc Locations: York, New York City, New Jersey
Herman Miller is one of the most revered makers of office furniture in the world, its designs so esteemed that its Aeron chair, which became a fixture of New York City cubicles, was put in the Museum of Modern Art’s permanent collection. This month, some Herman Miller chairs, which can retail for over $1,000, met a less dignified fate: an appointment with the crushing metal jaws of an excavator. More than three years after the coronavirus pandemic began, about half of the office space in the New York City metro area in June was occupied, according to Kastle Systems, a security-card company tracking activity in office buildings. The hollowing out of the city’s cubicles has raised existential economic and cultural questions, but also a big logistical one: What do you do with all that office furniture?
Persons: Herman Miller Organizations: Museum, Modern, New, Kastle Systems Locations: New York City
CNN —The Dutch government is returning 478 objects looted during colonial times to Indonesia and Sri Lanka. “It’s the first time we’re following recommendations… to give back objects that should never have been brought to the Netherlands. A collection of jewels, precious stones and silver, the "Lombok treasure" was taken from the Indonesian island of Lombok in 1894. “But what changed is our viewpoint: these objects are to tell the stories of our countries, of our shared history of peoples. A ceremonial handover of objects to the National Museum of Indonesia in Jakarta will take place at the Museum Volkenkunde Leiden on July 10.
Persons: Gunay Uslu, Cannon, ” Uslu, , , We’re, we’re, Lilian Gonçalves, Ho Kang, William V , Prince of Orange, Smeulders, , ” Smeulders, Gert, Jan van den Bergh, Bergh, Sanders, Van den Bergh Organizations: The Art, CNN, State for Culture, Dutch Council for Culture, National Museum of, Netherlands ’, East India Company, Nazi, Naturalis Biodiversity, Guardian, Art Newspaper, Museum Volkenkunde Leiden Locations: Indonesia, Sri Lanka, Nigeria, Dutch, Lombok, Bali, Kandy, Netherlands, Indonesian, Europe, Leiden, National Museum of Indonesia, Jakarta
We like to call it the occupation of the Museum of Modern Art and the director is happy with the occupation," Krivich, 34, joked. "Many of my friends from Kyrgyzstan, Ukraine and Belarus feel at home here, also mentally, culturally and ideologically… We have a common past," Krivich told Reuters. The New Theatre not only gave the refugee actors a chance to perform but also helped them with accommodation and visas. "Poland is the only country where Belarusians can easily legalise their stay... All independent art initiatives that used to be in Minsk are now in Warsaw," said Dashuk. In May, a Moscow District Court arrested Vyrypaev in absentia for spreading "fake news" about the Russian army.
Persons: Yulia Krivich, Krivich, Marina Dashuk, Ivan Vyrypaev, Dashuk, Vyrypaev, Agnieszka Pikulicka, Gareth Jones Organizations: WARSAW, Soviet, Warsaw's Museum of Modern, Museum of Modern Art, Reuters, THEATRE Warsaw, New Theatre, Theatre, Teal, Ukrainian, Court, Thomson Locations: Soviet Union, Russia, Ukraine, Poland, Russian, Moscow, Belarus, Central, Kyrgyzstan, Dashuk, Belarusian, Minsk, Warsaw, Europe
I sure got my wish with “Signals: How Video Transformed the World,” which closes this weekend at the Museum of Modern Art — and which, screen for screen, hour for hour, stands proud as the most perplexing exhibition of the year. Maybe a dozen times since its opening in March I have ascended to MoMA’s top floor for this ambitious, irregular exhibition of video art, the largest this museum has ever put on. Given the recent subtropical weather here in New York, this final weekend might be ideal for wrestling with “Signals” in MoMA’s climate-controlled galleries. “Signals,” drawn from the museum’s collection by the curators Stuart Comer and Michelle Kuo, is decidedly not a history of video art. (Fair enough: Nauman had a major retrospective in these same galleries in 2018, and Jonas has one coming up next year.)
Persons: bafflement, , Stuart Comer, Michelle Kuo, Bruce Nauman, Joan Jonas, Nauman, Jonas, Nam, Paik, Orwell Organizations: , Museum of Modern, I’ve, New Locations: New York, Paris
CNN —Chutatip “Nok” Suntaranon still remembers the moment she first saw Ziv Katalan in vivid detail. Chutatip "Nok" Suntaranon and Ziv Katalan visit Barcelona in 2010. Courtesy Chutatip "Nok" Suntaranon and Ziv Katalan“It’s kind of an attraction of opposites,” says Katalan. Courtesy Chutatip "Nok" Suntaranon and Ziv Katalan“That’s how we maintained a global relationship for 1.5 years. Named after the chef’s mother, Kalaya showcases the complexity and vibrancy of the food Suntaranon grew up eating in Trang, a small city southeast of Krabi in southern Thailand.
Persons: Ziv, Suntaranon, , Katalan, Ziv Katalan, , Katalan didn’t, “ Nok, , David Bouley, ” Suntaranon, Kalaya, Michael Perisco, , ’ ”, , didn’t, Milan –, ” Katalan, New York –, Georges, Titi, “ Ziv, Sutaranon, Bella, Mike Prince Suntaranon’s, James Beard, Mike Prince, Kenya – Organizations: CNN, Thai Airways, Wharton School, University of Pennsylvania, CNN Travel, New York City, Museum of Modern Art, MoMa, Times, Time Warner Center, Katalan, of Culinary Education, French Culinary Institute New York, Jean, Wharton Locations: Bangkok, New York City, New York, Southern Thailand, Rome, Barcelona, Philadelphia, Mexico, Italian, Midtown, York, Thailand, Masa, Central, Trang , Thailand, Asia, Vietnam, Singapore, Australia, New Zealand, Nha Trang, Los Angeles, London, Tel Aviv, Frankfurt, Paris, Ireland, SALA, Thai, France, Trang, Krabi, , Morocco, Italy, Spain, Kenya, Baltic, India, Colombia
A Hot New Tater Tot Casserole
  + stars: | 2023-06-18 | by ( Sam Sifton | ) www.nytimes.com   time to read: +1 min
Please reach out to us if you’re having a hard time with our technology: cookingcare@nytimes.com. Or you can write to me if you want say hello or lodge a complaint: foodeditor@nytimes.com. Now, it’s nothing to do with albóndigas or xanthan gum, but the “Killed” podcast, from Justine Harman, may be of interest to journalism nerds. It’s about stories that were written, edited, vetted and then … put on a spike for various reasons, some of them bad, some of them good, all of them complicated. Finally, here’s a new song from Jason Isbell and the 400 Unit, “King of Oklahoma,” off the band’s “Weathervanes,” out earlier this month.
Persons: you’re, Justine Harman, , Shane McCrae, , ” Here’s Holland Cotter, Jason Isbell, King, , I’ll Organizations: The New York, The Times, Museum of Modern Art Locations: The, New York, Oklahoma
As June ushered in warmer weather in New York City, guests at two garden-themed events left layers at home and wore their best florals. On June 1, the New York Botanical Garden hosted its annual Conservatory Ball. After cocktails, attendees made their way into the conservatory for dinner and dancing. The ball raised more than $1.3 million, according to organizers, and the guest list included Sigourney Weaver, a chair of the event. After dinner, attendees danced to performances by MUNA, Romy, and Coco & Breezy.
Persons: Ebony G, Sigourney Weaver, Barbara Chase, Ed Ruscha, Marlene Hess, Darren Walker, sipped, MUNA Organizations: New, Botanical Garden, Enid, Haupt, Museum of Modern Art, Party, MoMA, Ford Foundation . Artists, Coco Locations: New York City
Latin American Artists Reinvent Their Histories
  + stars: | 2023-06-08 | by ( Holland Cotter | ) www.nytimes.com   time to read: +1 min
The land of the brave and home of the free has always been bearish about borders, about who gets in, who stays out. And it’s always been evident culturally in, for example, the kind of art our museums have brought through the door. The Museum of Modern Art’s long but sporadic pattern of collecting 20th century Latin American art offers a constructive gauge. Art markets went bust. And in the confusion, walls began to come down as the permission-giving shake-up called multiculturalism — pro-diversity, anti-essentialist — arrived.
Persons: essentialist — Organizations: MoMA
Françoise Gilot, a tireless artist who defied simple categorization — and efforts to define her merely as a footnote in the story of her former lover Pablo Picasso — died Tuesday in New York. The early years of her career coincided with World War II and the Nazi occupation of Paris. In 1970, Gilot married her second husband, Jonas Salk, a virologist who developed one of the first polio vaccines. "Paloma à la Guitare" by Francoise Gilot (1965) was part of Sotheby's (Women) Artists Sale in 2021 in London, England. In 2012, Gagosian staged the first exhibition of Gilot’s work alongside Picasso’s, “Picasso and Françoise Gilot: Paris–Vallauris 1943–1953,” which focused on works made during their relationship.
Persons: Françoise, Pablo Picasso —, Aurelia Engel, Gilot, Engel, Madeleine Decre’s, Picasso, Carlton Lake, , Picasso’s, Pablo Picasso, Francoise Gillot, Roger Viollet, ” Gilot, , Claude, Paloma Picasso —, Luc Simon, Paris ’ Galerie Louise Leiris, York’s David Findley, Simon, Engel’s, Jonas Salk, Salk, Paloma, Francoise Gilot, John Phillips, Gerald Joyce, Jonas Salk —, Jonas, Gagosian, “ Picasso, John Richardson, Richardson, John Bright, , Jacques Chirac, Nicolas Sarkozy, WHYY’s Terry Gross Organizations: The Art, CNN, The New York Times, Paris ’ Galerie, United, Galleria Santo, Galerie Coard, Salk, Salk Institute, Acatos Publishing, New York, Penske Media, Museum of Modern Art, Metropolitan Museum of Art, ville de, New Orleans Museum of Art, National Museum of Women, Arts, of Arts, National Merit, Legion Locations: New York, Paris, Neuilly, Seine, Nazi, Europe, United States, Venice, Dantesca, Turin, Pierre, , San Diego , California, Sotheby's, London, England, California, Antibes, ville de Paris, Washington , DC, France
“You have to be an octopus, and the new generation of museum directors will have to be entrepreneurs,” said Anne Pasternak, the director of the Brooklyn Museum. “The field is going through seismic change and we need leaders who can stay grounded among the disruption. Climate activists announced plans to protest the Museum of Modern Art’s fund-raiser on Tuesday to draw attention to its board’s ties to to the fossil fuel industry. And museum staffs have not been shy about going public with criticisms of their own institutions. Some institutions worry that it will become more difficult to attract potential leaders who increasingly see director positions less as a way for them to share their aesthetic tastes, and more as a path to no-win managerial headaches.
Persons: , Anne Pasternak Organizations: Brooklyn Museum, Philadelphia Museum of Art, Whitney, Climate, Modern
Lego to launch 'Pac-Man' arcade cabinet model
  + stars: | 2023-05-22 | by ( Jack Guy | ) edition.cnn.com   time to read: +2 min
Toy company Lego is about to release a 2,561-piece set celebrating “Pac-Man.”The set is based on a real 1980s arcade game cabinet and comes complete with a light brick to illuminate the coin slot, Lego said on its website. LEGO“Pac-Man” was launched in Tokyo in 1980 and went on to become the most successful arcade game of all time. While the Lego set does not actually function as a gaming system, it is “loaded with retro game details you’ll want to devour,” the company says. The creation of 25-year-old game designer Toru Iwatani, “Pac-Man” pioneered a number of innovations in gameplay and game design. The Pac-Man Arcade set goes on sale for $270 on June 4, as part of Lego’s Icons collection, which is “designed for a challenging yet rewarding building experience,” the company says.
The idea for an office mahjong league came unexpectedly to Bella Janssens, the director of the architectural design firm Food New York, which has collaborated with Virgil Abloh, Axel Vervoordt and Manhattan’s Museum of Modern Art. Though it originated in China in the 19th century, mahjong has long been popular throughout Southeast Asia, Japan and America; it was brought stateside by a Standard Oil company representative returning from Shanghai in the 1920s. Wong, who was born and raised in San Diego, had a typical second-generation immigrant’s relationship to mahjong. (His parents are from Hong Kong.) “I played it once, probably with my grandparents and great-aunts, and my memory was that I won that game,” he says, “and only 30 years later did I realize they were probably just [messing] with me.”
CNN —Throughout Evelyne Axell’s short but radical career, the Belgian artist revered the female body in psychedelic hues rendered in gleaming enamel. In 1972, only a handful of years into painting, she died in a car crash and faded into relative obscurity. But such sales for Axell are infrequent, according to Sara Friedlander, Christie’s deputy chairman of post-war and contemporary art. Her stylistic approach — a mix of pop art influences and dreamy surrealist settings — is still underrecognized, according to Morris. “She acts as a historical bridge (between surrealism and pop art),” she said.
CNBC Daily Open: In the eye of the storm
  + stars: | 2023-05-09 | by ( Yeo Boon Ping | ) www.cnbc.com   time to read: +2 min
This report is from today's CNBC Daily Open, our new, international markets newsletter. CNBC Daily Open brings investors up to speed on everything they need to know, no matter where they are. Indeed, the SPDR S&P Regional Banking ETF (KRE) fell by 2%. We might just be in the eye of a storm. Subscribe here to get this report sent directly to your inbox each morning before markets open.
The title of this new documentary about the artist David Hammons is a mouthful: “The Melt Goes On Forever: The Art & Times of David Hammons.” It’s playing at Film Forum, and I don’t envy whoever has to make it fit the marquee. But they should figure that out because the title feels crucial to the aim of this movie, a sly, toasty, piquant consideration of Hammons’s conceptual art, the way it mocks and eludes easy ownership. Which is to say: the way his art is aware of — the way it’s often about — the stakes for Black people navigating the straits of the market. That piece is like a lot of Hammons’s work: tragicomic. It would have been enough to behold the assortment of thrilling footage of Hammons at work, in conversation and, in one contentious encounter, under interrogation by a group of students.
She Wants to Rewrite the Story of Art, Without Men
  + stars: | 2023-05-03 | by ( Dayna Evans | ) www.nytimes.com   time to read: +1 min
Two pale children dressed in black cloaks seem to be seeking guidance from the bull, as well as a phantom spirit. “I like the idea that there’s something happening in secret here,” said Ms. Hessel, hovering her finger near the painting’s faceless dancing apparition. As an expression of Ms. Carrington’s dual upbringing — her rebellious youth in Britain and subsequent escape to Mexico — “these hybridized figures feel like figures from two worlds in a way,” Ms. Hessel said. Ms. Hessel, petite, with long brown hair parted in the middle, carried the U.S. edition of her forthcoming 512-page art history book, “The Story of Art Without Men,” in a white Bao Bao Issey Miyake tote slung over an Axel Arigato trench coat. Though it isn’t especially unusual these days for certain podcast hosts to get recognized in public, it remains less common for an art historian like Ms. Hessel.
How an Architect Gave La Scala a 21st-Century Update
  + stars: | 2023-05-02 | by ( Sam Lubell | ) www.nytimes.com   time to read: +1 min
Over the past two decades, La Scala, completed by the architect Giuseppe Piermarini in 1778, has experienced its most profound changes since after World War II, when it suffered severe damage from Allied bombing raids. Mr. Botta’s first phase of work at La Scala was carried out from 2002 to 2004, and the second, begun in 2019, has just wrapped up. What is the scope of your work at La Scala? But to effectively make it work today, it needed to be much more flexible and capable than what existed in the 1700s. We’ve created a series of elements designed to make the theater function for the 2000s.
Soviet and Russian fashion icon Zaitsev dies - agencies
  + stars: | 2023-05-01 | by ( Lidia Kelly | ) www.reuters.com   time to read: +2 min
May 1 (Reuters) - Vyacheslav "Slava" Zaitsev, the couturier behind world-famous Soviet fashion that was often adorned with colourful Russian folkloric motifs, died on Sunday at age 85, Russian news agencies reported. After the show, Zaitsev received offers to open stores in the West, which the Soviet authorities rejected. In 1979, Zaitsev left the All-Union House of Models for a small atelier, which by 1982 he turned into the Slava Zaitsev Moscow Fashion House, becoming the first Soviet designer allowed to label his clothing. Among Zaitsev's Russian clients were music stars, actors, socialites and politicians. The patronage of Raisa Gorbacheva, the wife of the last Soviet Union leader, Mikhail Gorbachev, elevated his international fame in the 1980s.
Georgia O’Keeffe, ‘Modernized’ by MoMA
  + stars: | 2023-04-27 | by ( Roberta Smith | ) www.nytimes.com   time to read: +1 min
In the spring of 1946 the Museum of Modern Art mounted its first solo exhibition of a female artist: a retrospective devoted to the work of the American painter Georgia O’Keeffe. O’Keeffe’s success owed much to Stieglitz’s promotion, especially his eroticized reading of her paintings of landscapes and semiabstract flowers as expressions of female sexuality. By 1929, O’Keeffe was quite well-off, thanks to Stieglitz’s efforts. Yet for nearly 80 years after O’Keeffe’s MoMA retrospective, the museum didn’t pay her much attention. Since 1946 its O’Keeffe holdings has risen lackadaisically to 13 works, including five from the artist’s foundation and bequest in the mid-90s.
6 Picasso Shows to See This Year
  + stars: | 2023-04-06 | by ( Gabe Cohn | ) www.nytimes.com   time to read: 1 min
Pablo Picasso’s 1921 painting “Three Women at the Spring” will be shown at the Museum of Modern Art this fall, in one of several exhibitions at American and European museums marking the 50th anniversary of the artist’s death. Credit... Estate of Pablo Picasso/Artists Rights Society (ARS), New York; via The Museum of Modern Art
Picasso: Love Him or Hate Him?
  + stars: | 2023-04-05 | by ( Deborah Solomon | April | ) www.nytimes.com   time to read: +14 min
It is not hugely cool to profess a love for Picasso these days. This is what Picasso’s detractors — like Hannah Gadsby, the Australian comedian and Picasso basher, who will help curate a Picasso show at the Brooklyn Museum opening on June 2 — often miss. Picasso, by contrast, brought the weight of lived experience into his work, even when he was tethered to archetypal subjects. “The Mother” (1901), an early painting by Picasso, shows a view of motherhood purged of Renaissance idealization. The conventional view of the painting holds that the women are “dolled-up cocottes,” as John Richardson glibly put it in his biography of Picasso.
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