HoustonEither Robert Motherwell (1915-1991) never produced a drawing that wasn’t compelling or never allowed one to leave his studio.
That conviction is borne out by “Robert Motherwell Drawing: As Fast as the Mind Itself” at the Menil Drawing Institute here.
Organized by Edouard Kopp , the Institute’s chief curator, to coincide with the publication of “Robert Motherwell Drawings: A Catalogue Raisonné,” it is the most comprehensive survey to date of works on paper by the youngest and, it can be argued, most sophisticated and intellectual of the Abstract Expressionists.
More than 100 works from the 1940s to the late 1980s, from public and private collections, including the artist’s foundation, trace Motherwell’s exploration of different mediums and papers, as well as varied gestures and marks, in major series such as “Elegies to the Spanish Republic,” “Beside the Sea,” “Lyric Suite” and “Opens.”