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Plus, we've got news on actual robots, who are threatening to pit humans against machines. That's not always a good thing. Companies love to hire Amazon alumni who inject their firms with Jeff Bezos' metrics-focused style. Amazon-trained leaders (sometimes known as "Jeff Bots") have founded more than 650 startups, and swaths have joined the industry's top C-suites, contributing to the "Amazonification" of said firms. Now, humans need to determine how to synchronize our labor with the souls of new machines — before things get out of hand.
TikTok users are increasingly finding new music through song remixes and mashups. In the middle of August, music artist Sam Smith's somber 2014 ballad "I'm Not The Only One" reentered Spotify's top 200 chart nearly a decade after its release. Marketers embrace TikTok remixes and mashupsAs with any social-media trend, music marketers are adjusting their strategies to stay in tune with TikTok's audience. TikTok music talent can earn anywhere from $500 to $5,000 to produce a remixed version of a track, according to Cloherty. Outside of monetary compensation, having a track go viral can help TikTok talent grow their audience off the app.
An activist targeted Leonardo Da Vinci’s Mona Lisa on Monday, throwing cake at the portrait inside the Louvre Museum in Paris. Sergio Migliaccio, a witness to the incident, said the man was in a wheelchair wearing a long wig amid the crowd of people there to see the famed painting. “All of a sudden the guy jumped from the wheelchair and, with a red rose between his lips, he climbed the fences and attacked the Mona Lisa with a cake,” Migliaccio said. The painting hangs behind a layer of glass, leaving it unharmed by the cake. It was also damaged in an acid attack perpetrated by a vandal in the 1950s, and has since been kept behind glass.
Deezer, a Paris-based music streaming service, recently made a significant investment in DREAMSTAGE in a symbiotic deal that will fuel both companies' growth. DREAMSTAGE, a ticketed live music streaming platform launched in the spring of 2020, has plans to reverse this fate and to even go as far as transforming the traditional live music business model for years to come. Now, the startup has caught the attention of the Paris-based music streaming service Deezer, which houses a catalog of 73 million tracks, including content from major record labels like Universal Music Group and Warner Music Group. "Even when live concerts start again, live streaming will become a natural addition to live shows," Albrecht wrote. The live music streaming industry is expected to generate $6.4 billion by 2027, according to MIDiA Research.
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