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☆ Opinion: It’s time more horror films push back against queer stereotypes
▼ + stars: | 2024-07-13 | by ( Opinion Noah Berlatsky | ) edition.cnn.com time to read: +7 min

But the portrayal of trans women as predators was a new innovation that had a huge impact on the horror genre. Andit had a big impact on Jonathan Demme’s “The Silence of the Lambs” in which the terrifying serial killer, Buffalo Bill, is a predatory trans woman (or more precisely, as Jos Truitt has explained, Bill is a transphobic caricature of a trans woman). The danger isn’t from trans women — it’s from heterosexual cis patriarchs — a reality much truer to life than Hitchcock’s fever dream. Perhaps in part for that reason, the director is careful not to make Longlegs trans or gay. It’s not just “Longlegs” which displaces violence onto queer people: Movies like “Psycho” and “Silence of the Lambs” are often acts of aggression aimed by male directors at queer people (and especially at queer women).

Persons: Noah Berlatsky, —, Noah Berlatsky Noah Berlatsky, Oz Perkins, Julia Ducournau’s “, ”, John Logan’s “, Longlegs ”, “, Lee Harker, Maika Monroe, Perkins, Anthony Perkins, Norman Bates, Alfred Hitchcock’s, ” Hitchcock, Bates, he’s, Norman, fatales, Hitchcock, Brian DePalma’s, Jason, James Wan’s, Andit, Jonathan Demme’s “, Bill, Jos Truitt, Alfred Hitchcock, Harker, it’s, Harker’s, Hunter ”, Perkins doesn’t, Longlegs, Nicholas Cage, Berry Berenson, Ted Levine, Ken Regan, Orion, queerness, Marc Bolan, Buffalo Bill, It’s Organizations: CNN, FBI, Lambs, Paramount, “, DOJ, Buffalo, Twitter Locations: Chicago, Hollywood, UCLA

☆ Opinion: ‘Hit Man’ does what ‘Double Indemnity’ couldn’t
▼ + stars: | 2024-06-07 | by ( Opinion Noah Berlatsky | ) edition.cnn.com time to read: +7 min

“Hit Man” suggests that when backing away from misogyny, men, too, have more options, more happiness and more love. “Double Indemnity” turned the trope into an indelible archetype for the morally ambiguous world of film noir. Barbara Stanwyck, Fred MacMurray and Tom Powers are pictured in Billy Wilder's "Double Indemnity." The patriarchal world of “Double Indemnity” is as bleakly loveless for men as it is for women. “Hit Man,” and other contemporary noir films, in contrast, are trying to imagine a way out of the “Double Indemnity” double bind.

Persons: Noah Berlatsky, CNN —, ” Phyllis Dietrichson, Barbara Stanwyck, Billy Wilder’s, Wilder, Stanwyck, Phyllis, Noah Berlatsky Noah Berlatsky, Richard Linklater’s “, ”, Women’s, Circe, Walter, Fred MacMurray, Tom Powers, Billy Wilder's, Everett, Walter staggers, Keyes, Edward G, Robinson, “, fatales, John McNaughton’s, there’s, —, Justine Triet’s “, William Oldroyd’s “ Eileen, femme, Eileen, Sandra Hüller, Sandra, Justine Triet's, Maddy Masters, Adria Arjona, she’s, She’s, Maddy, Gary Johnson, Glen Powell, moonlighting, Ron, Gary, Maddy isn’t, Gary doesn’t, Linklater, bleakly loveless Organizations: CNN, Everett, Gary Locations: Chicago, today’s Hollywood

☆ ‘Wingwomen’ Review: A Crew of Femme Fatales
▼ + stars: | 2023-11-01 | by ( Beatrice Loayza | ) www.nytimes.com time to read: +1 min

“Wingwomen” is the rare French action movie directed by a woman, Mélanie Laurent, the breakout star of “Inglourious Basterds” turned filmmaker in her native France. Laurent also stars as the film’s veteran thief, Carole, a steely, chiseled blonde. 2, is Alex (Adèle Exarchopoulos), an expert sniper and an unabashed flirt whom the older Carole recruited years ago for a diamond heist. Now a seasoned crime team, Carole is the brains, Alex the muscle. Alex gets bruised and bloodied, but so does the meathead baddie.

Persons: “, Mélanie Laurent, Basterds ”, Laurent, Carole, Alex, Adèle, Sam, Manon Bresch, she’s, Tom, coy playgirl Organizations: coy Locations: France

VACCARELLO’S DEBUT FOR Saint Laurent wasn’t as rapturously received as Yves Saint Laurent’s for Dior. “Anthony has been scrutinized and told his dresses were too vulgar or too sexy,” he says. At the beginning of his tenure at Saint Laurent, it sometimes seemed like Vaccarello was art directing someone else’s movie. Illuminated by the soft glow of chandeliers — a reference to the ballroom at Paris’s InterContinental hotel, the frequent site of Saint Laurent’s presentations — the women summoned the femmes fatales of Helmut Newton photographs. “Now that I’m a free man, I feel inclined to say that I think that what Anthony has done with Saint Laurent has been positively brilliant.

Persons: Saint Laurent wasn’t, rapturously, Yves Saint Laurent’s, Saint, Flinn, “ Anthony, Vaccarello, Saint Laurent, Luchino Visconti, Rainer Werner Fassbinder, can’t, he’s, Helmut Newton, Henri Pinault, ”, Tom Ford, Anthony Organizations: Saint Laurent, Dior, Montaigne, —, Eiffel, InterContinental Locations: Saint, Malibu , Calif

☆ 'Amsterdam' review: Christian Bale, John David Washington and Margot Robbie head the star-studded cast in David O. Russell's historical satire
▼ + stars: | 2022-10-07 | by ( Review Brian Lowry | ) edition.cnn.com time to read: +4 min

CNN —“Amsterdam” certainly doesn’t suffer from a lack of ambition, and the star-studded cast merely adds to that sense of grandeur. Burt (Christian Bale), a part-Jewish Park Avenue doctor whose in-laws disapprove of him, and Harold (John David Washington) bonded while serving together during World War I, where they met up with a free-spirited nurse, Valerie (Margot Robbie) who fell for Harold, forging a seemingly inseparable trio. Recovering from their war injuries, they took refuge in Amsterdam, a place where the world’s concerns – including those involving race – appeared to shrink away. Christian Bale, Margot Robbie and John David Washington in 'Amsterdam.' “This is so strange,” Burt mutters at one point, which turns out to be an inadvertent commentary on the film itself.

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