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What would a basketball game be like without the ebb and flow of two teams, without the roar of the crowd? Like Paul Pfeiffer’s videos. In “Fragment of a Crucifixion (After Francis Bacon),” from 1999, the Charlotte Hornets’ star power forward Larry Johnson rocks back and forth, alone on the court, screaming in victory or agony. In “Race Riot,” hands reach in to brace a fallen Michael Jordan — his iconic jersey, number 23, is blank. They’re small, they’re silent — and they’re just for you, an intimate confrontation with extravaganzas meant for millions.
Persons: Paul Pfeiffer’s, Francis Bacon, Larry Johnson, Michael Jordan —, ” Pfeiffer, aren’t, extravaganzas Organizations: Museum of Contemporary Art, Charlotte Hornets Locations: United States, Los Angeles, East Harlem, Mexican
More artists got back on the road in 2022, yet still hit pandemic-related snags. Bruce Springsteen, Metallica, Drake, Travis Scott, Ed Sheeran, Morgan Wallen, Maluma and Madonna filled arenas and stadiums. Buying concert tickets, however, has become an increasingly complex and expensive endeavor as costs continue to rise and companies like Ticketmaster and SeatGeek battle bots and scalpers. Fans hoping to attend the year’s hottest tours endured a maze of presale registrations, digital waiting rooms and hourslong queues. Those fortunate enough to reach checkout were met with lofty ticket prices — some because of confusing “dynamic pricing” — and additional fees.
Persons: Covid shutdowns, Taylor Swift, Beyoncé, Bruce Springsteen, Drake, Travis Scott, Ed Sheeran, Morgan Wallen, camerapersons Organizations: Ticketmaster
All Aboard the Most Extravagant Fashion Cruise
  + stars: | 2023-06-06 | by ( Vanessa Friedman | ) www.nytimes.com   time to read: +1 min
In 1964, John Cheever published a short story called “The Swimmer” in which a seemingly happy suburbanite endeavors to swim his way home across New York’s Westchester County, by going from one backyard pool to the next in an odyssey that reveals the truth of his world. It’s a scenario that sprang to mind during the last cruise (or resort) season, a monthlong series of extravaganzas in far-flung destinations that came to an end last week. It was not hard to imagine fashionistas hieing their way from show to show to show before finally returning home. They could have started in Los Angeles with Chanel on May 9, moved on to Seoul with Gucci, on to Mexico City for Dior, then to northern Italy for Louis Vuitton (which had confusingly held a separate pre-fall show in Seoul just a few weeks before) and Alberta Ferretti, ending in Rio de Janeiro on June 1 with Carolina Herrera. Many of them may have been treated to their trips by the brands themselves (The New York Times does not accept press trips, so yours truly watches the shows on the computer), caravanning around the globe as if the pandemic was a speck in the rearview mirror.
Persons: John Cheever, Chanel, Louis Vuitton, Alberta Ferretti, Carolina Herrera, speck Organizations: Gucci, Mexico City, Dior, Louis, Alberta, New York Times Locations: New, Westchester County, Los Angeles, Seoul, Mexico, Italy, Rio de Janeiro
Or Surreal Housewife, if you prefer. Her name was Edna Everage (just one vowel away from “average”), and her advent in the mid-20th century anticipated a brash new age of undeserved celebrity. “Oh, my prophetic soul,” she might have said, contemplating the constellation of self-anointed stars who occupy our attention these days. The line comes from “Hamlet.” But Edna was the kind of gal who could convince you that she had coined it all by herself. Dame Edna, as she became known from the early 1970s, was the inspired alter-ego of the sui generis performer Barry Humphries, who died on Saturday in Sydney, Australia.
— About 150 artifacts considered sacred by the Lakota Sioux peoples are being returned to them after being stored at a small Massachusetts museum for more than a century. They had been held by the Founders Museum in Barre, Massachusetts, about 74 miles west of Boston. More than 200 men, women, children and elderly people were killed in the 1890 Wounded Knee Massacre on the Pine Ridge Indian Reservation. The items being returned to the Sioux people have all been authenticated by multiple experts, including tribal experts. The museum also has other Indigenous items not believed to have originated with the Sioux.
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