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CNN —More than 800 Black actors are denouncing backlash aimed at actor Francesca Amewudah-Rivers, who was cast to play Juliet opposite Tom Holland in an upcoming stage production of “Romeo & Juliet” in London’s West End. “When news of Francesca Amewudah-Rivers’ casting in Jamie Lloyd’s production of Romeo and Juliet was announced so many people celebrated and welcomed this news,” the letter, organized by playwright Somalia Nonyé Seaton, stated. “For a casting announcement of a play to ignite such twisted ugly abuse is truly embarrassing for those so empty and barren in their own lives that they must meddle in hateful abuse. When The Jamie Lloyd Company issued its tweet decrying the online behavior, the theater company said, “This must stop… Any abuse will not be tolerated and will be reported. “Romeo & Juliet” opens on May 23 and will play through August 3.
Persons: Francesca Amewudah, Juliet, Tom Holland, Romeo, Juliet ”, Jamie Lloyd, , Jamie Lloyd’s, Somalia Nonyé Seaton, , , Francesca, James Bond ”, Lashana Lynch, Freema, Who, Susan Wokoma, Enola Holmes, Sheila Atim, Oscar, Marianne Jean, Baptiste, Lolly, Jamie Lloyd Company, Holland, Jamie Lloyd Company’s, London’s Duke, “ Romeo Organizations: CNN, Jamie Lloyd Company, London’s, York’s Locations: Rivers, London’s, Amewaduh
"We are raising our YE'24 NFLX target price $65 to a street-high $765 driven primarily by a combo of higher '24 and beyond subscriber/ARPU forecasts." "We are upgrading Ollie's Bargain Outlet to a Buy from a Hold rating while raising our price target to $90 from $80, implying 26% upside from current levels." We cut our price target from $2 to $1, still giving ATUS the highest multiple in Cable as optionality. "We are raising our already Street High $330 YE'24 target price $60 to $390 driven primarily by higher premium and to a lesser extent ad supported ARPU forecasts." Jefferies adds Pepsi to the franchise picks list Jefferies said it sees opportunity internationally for Pepsi and raised its price target to $209 per share from $199.
Persons: Marvell, it's, Bernstein, Mizuho, Wells, Piper Sandler, Krispy, JPMorgan, Eli Lilly, LLY, Stifel, Rosenblatt, Snowflake, Jefferies, underperform KBW, Daiwa, Tesla, KBW, Monness Crespi Hardt Organizations: Netflix, Bank of America, Apple, Amazon Web Services, RBC, Eaton, Piper, JPMorgan, Technologies, Cable, Spotify, BMO, Royal Bank, Pepsi, Fox, Fox News, Digital, Citi, Express, American Express Locations: NY, McDonald's, USA, Toronto, Snowflake, U.S
download the appSign up to get the inside scoop on today’s biggest stories in markets, tech, and business — delivered daily. I was drawn to his sense of humor, the way he put words on the page, and the bad boy glint in his dark brown eyes. I lacked confidence; I was in an industry that shredded what little I had, like last night's roast chicken. The man who left trash on the street for someone else to pick up was not a man whose values matched mine. When we met again months after the breakup, I didn't make the same mistake.
Persons: , glint, we'd, he'd, We'd, I'd Organizations: Service, Business Locations: Los Angeles, Hollywood, Canada
“I was like 35 years old, and I was in Poughkeepsie,” Shanley said in a phone interview during a rehearsal break last month. “I went in to do my laundry, and after a couple of questions, I realized that they would do it for me, fold it and give it back to me. Opening on Wednesday at New York City Center, it is the 13th play the playwright has premiered with the Manhattan Theater Club. “There’s an incredible flair, intelligence, grace and humor to his work,” said Lynne Meadow, the theater company’s artistic director. Most of all, she added, “he writes with such humanity, and so personally.”
Persons: John Patrick Shanley, “ Danny, , ” Shanley, , , Lynne Meadow Organizations: New York City Center, Manhattan Theater Locations: Poughkeepsie, Brooklyn
download the appSign up to get the inside scoop on today’s biggest stories in markets, tech, and business — delivered daily. But while the US enjoys overwhelming military superiority over the Houthis, defeating this tribal movement would be a nightmare. Case in point: Egypt tried to suppress the Houthis in the 1960s. Today's Houthis are attacking ships in the Red Sea – and hurling ballistic missiles at Israel – ostensibly in response to Israel's military operations in Gaza. Indeed the rebellion eased Israel's lightning victory in the 1967 Six-Day War, a fact that the Houthis have chosen not to publicize.
Persons: , Gamal Abdel Nasser, Jesse Ferris, Nasser's Gamble, Nasser, quagmire, Islam –, Yemen —, Ferris, Mohammed Hamoud, Israel –, Israel, Lawrence Organizations: Service, Business, Broadway, Israel Democracy Institute, Palestine, US, Royalists, British, Yemeni Locations: Yemen, Egypt, Vietnam, British, Zaidi, Islam, Arab, Soviet, Russia, America, Afghanistan, Gaza, Saudi, Britain, Israel, Iran
Mind you, “Jonah” will charm you anyway, and make you laugh. So will Jonah, the adorable day student (or is he?) whom Ana, our teenage heroine, meets at her boarding school (or does she?). The flirty, funny banter between the self-assured Ana (Gabby Beans, in a top-of-her-game performance) and the more broken-winged Jonah (a disarming Hagan Oliveras) is utterly adolescent, as is the way they occupy their bodies. They still have the flop-on-the-floor looseness of little kids, but it’s mixed with cheeky daring (mostly hers) and mortified caution (mostly his), because hormones and desire have entered the picture.
Persons: “ Jonah, ” Rachel Bonds’s, Jonah ”, Jonah, Ana, Laura Pels, Gabby Beans, Hagan Oliveras
Every dramatization of “The Wizard of Oz” seems to offer a pilgrimage to the Emerald City. But “El Otro Oz,” the inspired and imaginative interpretation now playing at Atlantic Stage 2, introduces additional journeys that are ultimately more poignant and profound. When I first saw this Latin-flavored retelling of L. Frank Baum’s tale two years ago, I was most impressed by its comic inventiveness. More an admirer of Beyoncé than of merengue, the American-born Dora deeply resents her Mexican immigrant mother’s plans for a quinceañera, the traditional celebration of a girl’s 15th birthday. After she reluctantly dons a voluminous pastel dress for the occasion, Dora wails, “I look like cotton candy!” (Stephanie Echevarria designed the vivid costumes.)
Persons: Oz ”, El Otro, Frank Baum’s, “ El, , Oz, Melissa Crespo’s, Mando Alvarado, Tommy Newman, Newman, Jaime Lozano, Dora, Nya, Beyoncé, Dora wails, Stephanie Echevarria Organizations: Atlantic, Atlantic for, Atlantic Theater Company Locations: Emerald City, Chihuahua, Toquito, Oeste, Chicago, American
Seldom have a pair of alcoholics looked as glamorous as they do in Craig Lucas and Adam Guettel’s bruised romance of a Broadway musical, “Days of Wine and Roses,” starring Kelli O’Hara and Brian d’Arcy James as midcentury-modern Manhattan lovers free-falling all the way to hell, drinks in hand. And yet we can sense the allure: how alcohol might become the one true thing that matters, smoldering wreckage be damned. Adapted from JP Miller’s recovery-evangelizing 1958 teleplay and 1962 film of the same name, this “Days of Wine and Roses” is like a jazz opera melded seamlessly with a play. Deeper, wiser and warmer than it was in its premiere at Off Broadway’s Atlantic Theater Company last year, it is no longer so wary of melodrama that it’s afraid of feeling, too. Gone is the emotional aridity that kept the story at a strange remove.
Persons: Craig Lucas, Adam Guettel’s, , Kelli O’Hara, Brian d’Arcy James, doesn’t, Michael Greif’s Organizations: Atlantic Theater Company Locations: Manhattan
In 1996, a recording session was scheduled in Havana combining Cuban and Malian musicians, but the Africans had visa trouble and didn’t arrive. So instead, an assemblage of veteran Cuban musicians, some coming out of long retirement, recorded a collection of classic Cuban songs. This was “Buena Vista Social Club,” which became not just the best-selling Cuban album ever but also a defining artifact of Cuban culture beloved around the world. And now, almost 30 years later, there is a stage musical: “Buena Vista Social Club,” in previews at the Off Broadway Atlantic Theater Company. This newest project started a few years back, when a producer with the theatrical rights to the album approached the Cuban American playwright Marco Ramirez (“The Royale”).
Persons: didn’t, Wim Wenders, Marco Ramirez, , ” Ramirez, Organizations: Buena Vista Social, Carnegie Hall, , Broadway Atlantic Theater Company Locations: Havana, Cuban, Malian, Buena, Cuban American
On Wednesday, Carole Rothman, the president and artistic director of Second Stage Theater, said that after 45 years she would be leaving that institution, which she co-founded; Second Stage operates the Helen Hayes Theater on Broadway. And Roundabout Theater Company currently has an interim artistic director following the death in April of Todd Haimes, who led that organization for four decades; Roundabout operates three Broadway houses, including the American Airlines, the Stephen Sondheim and Studio 54. Lincoln Center Theater, which is a resident organization at Lincoln Center for the Performing Arts, has three stages of varying sizes, and has produced a wide variety of work. The company currently has an annual budget of $34.5 million and 55 full-time employees; Bishop received $783,191 in total compensation during fiscal 2022, according to an I.R.S. Lincoln Center Theater’s other Tony-winning productions during Bishop’s tenure include “Carousel,” “The Heiress,” “A Delicate Balance,” “Contact,” “Henry IV,” “Awake and Sing,” “South Pacific,” “War Horse,” “The King and I” and “Oslo.”
Persons: Carole Rothman, Helen Hayes, Todd Haimes, Stephen Sondheim, Bishop, Vivian Beaumont, , Tom Stoppard’s, Tony, ” “ Henry IV Organizations: Broadway, Nonprofit, Lincoln Center, Helen Hayes Theater, Roundabout Theater Company, American Airlines, Lincoln Center Theater, Performing Arts, Vivian Beaumont Theater, Radio City Music Hall, Metropolitan Opera Locations: New York, Utopia, “ Oslo
Despite placing her previous documentaries and concert films on streaming services in the past, the iconic pop star opted to deliver her Eras Tour film directly to cinemagoers this October. Of course, the theater company will generate significantly more than that in concession sales, perhaps the real upside to Swift's film release. "Taylor Swift, being a cultural powerhouse and shaper of new business models, may have a hand in bringing back the old-school style concert film." Swift's concert film seems destined to overtake the current record holder for a theatrical concert film. Miley Cyrus' "Best of Both Worlds" concert film tallied $31.1 million during its opening weekend back in 2008, appearing in around 680 locations.
Persons: Taylor Swift, Shawn Robbins, Swift, Oppenheimer, They're, Cinemark —, It's, Robbins, Beyonce, Adele, Mario, Michael O'Leary, Paul Dergarabedian, Miley Cyrus, Taylor Organizations: T, Fort Worth Star, Tribune, Service, Getty, BoxOffice.com, Screen Actors Guild, American Federation of Television, Radio Artists, National Football League, Sony, Disney, Warner Bros, AMC, Universal, Swift, Mario Bros, National Association of Theatre Locations: Arlington , Texas, Cincinnati , Ohio
Opinion | Luring Theater Audiences Back After Covid
  + stars: | 2023-09-10 | by ( ) www.nytimes.com   time to read: +1 min
My husband and I are guilty as charged, recognizing ourselves, painfully, in the interviews with former theater company subscribers. Before the pandemic, we subscribed to nearly every theater company in the city. We were such dedicated audience members that we timed our trips to Florida based on the City Center “Encores!” offerings. Even when theater resumed, we remain uncomfortable in large groups and are much more selective about what we choose to see. We kept two subscriptions — at the Public Theater and Lincoln Center, which maintained mask-required performances longer than most.
Organizations: , City, Public Theater, Lincoln Center Locations: Florida
In Annie Baker’s Plays, Pay Attention to the Pauses
  + stars: | 2023-08-30 | by ( Darryn King | ) www.nytimes.com   time to read: +1 min
“She’s a high priestess of silence and stillness,” the director James Macdonald said. An Atlantic Theater Company and National Theater co-production of Baker’s latest play, “Infinite Life,” directed by Macdonald, is in previews now and will open on Sept. 12. “Infinite Life” also goes further than Baker’s other plays in its exploration of stillness, Macdonald said. “I’m interested in silence, I’m interested in noise, I’m interested in speed, I’m interested in stillness. To me it does feel like writing a play feels a bit like composing a piece of music.
Persons: , James Macdonald, , Macdonald, “ Janet Planet, Baker, ” Baker, “ I’m, I’m Organizations: Atlantic Theater Company, National Theater, New York Film
Jeff Daniels Unwinds With Hidden-Camera TV
  + stars: | 2023-08-26 | by ( Chris Kornelis | ) www.nytimes.com   time to read: +1 min
Jeff Daniels has accomplished a lot battling boredom. Before he moved to New York in 1976, he bought a guitar to play when he wasn’t getting work. After he moved back to Michigan in the 1980s, he started getting bored between movie jobs, so he formed the Purple Rose Theater Company. I walk out and I see them, I hear them, but that’s not the climax. For me, by that point, it’s over.”Daniels talked about pursuing his other endeavors — creative and athletic — while avoiding ticks.
Persons: Jeff Daniels, wasn’t, Atticus Finch, Harry Dunne, , ” Daniels, , that’s, That’s Organizations: Rose Theater Company Locations: New York, Michigan
The Wide World of Puppetry Converges on New York
  + stars: | 2023-08-07 | by ( Laurel Graeber | ) www.nytimes.com   time to read: +1 min
On Saturday, the festival will host a round-table discussion with Lee’s troupe, the Mettawee River Theater Company. “What I want people to experience while they’re here is that the world is whatever you decide to make it for yourself,” said Matthew Sorensen, who curated the shows of Lee’s work. And everywhere, Lee gave castoffs new life: Piano keys serve as puppet teeth, and can lids as eyes. An open mailbox becomes the head and jaws of a dragon; the ribs of a baby carriage form its body. Many, she added, illustrate Lee’s method of taking “what’s just right there” and “exploring what it can do.”
Persons: Lee, Henry Hudson, Brendan Schweda’s “ Barnacle Bill, , , Ralph Lee’s, Ralph Lee, Matthew Sorensen, Kitamura ”, Casey Compton, Lee’s, “ what’s Organizations: Theater Company
72 Regional Theaters, One Shared Crisis
  + stars: | 2023-07-28 | by ( Sarah Bahr | More About Sarah Bahr | ) www.nytimes.com   time to read: +2 min
We need to pay more attention to nonprofit theaters and theaters outside New York — because there are real challenges in those places we need to be telling our readers about. Theaters that once saw themselves either as competitors or just strangers are much more interested in finding ways to help one another. There’s a coalition forming of theaters in Connecticut that is talking about whether the theaters might be able to share set-building functions. A lot of theaters are talking about the possibility of either more government assistance or for more foundations to take seriously the challenges facing this field. How will we see an effect on Broadway, which depends on nonprofit theaters to develop material and support artists?
Persons: , I’m, There’s Organizations: Repertory Theater, Barrington Stage Company, Studio Theater, Washington , D.C, Shakespeare Theater Company, D.C Locations: Boston, Washington ,, New York, Connecticut
The Royal Shakespeare Company has been using tech to transform The Bard's work for years. The Royal Shakespeare Company is a theater group based in Stratford-upon-Avon, England — Shakespeare's birthplace. The Royal Shakespeare Company hasn't used 5G in production yet, but the deployment is on "a very close horizon," Ellis said. In 2016, the Royal Shakespeare Company incorporated a digital avatar into a real-time performance of "The Tempest," Shakespeare's last play. A Royal Shakespeare Company actor performs in "Dream."
Persons: William Shakespeare, Sarah Ellis, Ellis, that's, Ellis —, it's, Ariel, Stuart Martin Organizations: Royal Shakespeare Company, Ericsson Locations: Stratford, Avon, England, Swedish
Fewer productions. Fewer performances. Cal Shakes, a Bay Area favorite that staged Shakespeare in an outdoor amphitheater, is producing no shows this year. The Williamstown Theater Festival, known for its star-studded summer shows, has no fully staged productions at its Western Massachusetts home this season. Philadelphia’s Arden Theater Company expects to give 363 performances next season, down from 503 performances the season before the pandemic.
Persons: Shakespeare, Chicago’s, Mary Zimmerman’s, , Philadelphia’s Organizations: Cal, Area, Broadway, Williamstown Theater, Geffen Playhouse, Philadelphia’s Arden Theater Locations: America, Western Massachusetts, New York City, Los Angeles
JPMorgan adds Qualcomm and HP Inc. to the focus list JPMorgan added HP Inc. to the focus list and said it's a top value idea. The firm also added Qualcomm to the focus list and says it's a top growth idea. JPMorgan adds Charles Schwab to the focus list JPMorgan added the stock to its focus list after its earnings report and said it sees "improving fundamentals." Bank of America reiterates Amazon as buy Bank of America said it's bullish heading into Amazon earnings later this month. Bank of America reiterates Block as buy Bank of America said shares of the company formerly known as Square are undervalued.
Persons: Tesla, it's, Charles Schwab, Schwab, Jefferies, Berkshire Hathaway, Archer, Guggenheim, ServiceNow Organizations: JPMorgan, Qualcomm, HP Inc, Watch, Cisco, " Bank of America, of America, Bank of America, Meta, UBS, Berkshire, Citi, Republic Services, Hollywood, Argus, Street, Aviation, UW, DuPont, Texas, Microsoft, Apple Locations: 2023E, 2025E, Berkshire, ACHR, EE
How a Recycling Leader Spends His Sundays
  + stars: | 2023-06-25 | by ( Alix Strauss | ) www.nytimes.com   time to read: +1 min
PROCESS We meet in the back room of the Revision Lounge, a bar in the East Village, where one of the members works. As a theater company, we’re still learning what life after the pandemic is like. POOR PLAYERS We usually break out our scripts and refine what we’ve done or are transforming. Our next play is Macbeth, which we perform at various places, the bar, Sure We Can, or at people’s homes. Every actor learns the complete text of the play and we change roles on impulse so it’s constantly shifting.
Persons: we’re, it’s, They’re Locations: East
THIS SUMMER, some well-deserved downtime is on the agenda for Liza Colón-Zayas. Over the past year, the actress made her Broadway debut in the Tony-nominated “Between Riverside and Crazy,” celebrated three decades as a member of the Labyrinth Theater Company and won critical acclaim for her portrayal of the prickly line cook Tina in FX on Hulu’s “The Bear.” In Season 2, which streams June 22, Tina attends culinary school. To prepare, Colón-Zayas worked with chef David Waltuck, whom she calls a “very patient, cool character.”
Persons: Liza Colón, Tony, , Tina, Zayas, David Waltuck Organizations: Broadway, Labyrinth Theater, Colón Locations: Zayas, Riverside
If not for the unbridled drinking, it might easily have been a screwball comedy. Just look at them: Kirsten, blondly beautiful with a tolerant smile and a quick riposte; Joe, curly-haired cute but too arrogant to grasp that he’ll have to up his game to win this woman. It can’t be me; you don’t know me.”This is the addiction-canon classic “Days of Wine and Roses,” though, so some of us already know them. In Craig Lucas and Adam Guettel’s jazzy, aching musical based on the teleplay and the film, Kelli O’Hara and Brian d’Arcy James are an awfully glamorous Kirsten and Joe — O’Hara, in exquisite voice, singing 14 of the show’s 18 numbers, seven of them solos. Directed in its world premiere by Michael Greif for Atlantic Theater Company, this “Days of Wine and Roses” fills the old Gothic Revival parish house that is the Linda Gross Theater with glorious sound.
Persons: Kirsten, blondly, , , Miller’s, Piper Laurie, Cliff Robertson, Lee Remick, Jack Lemmon, Joe, Craig Lucas, Adam Guettel’s, Kelli O’Hara, Brian d’Arcy James, Joe — O’Hara, Michael Greif, Linda Gross Organizations: Atlantic Theater Company Locations: New York City, Miller’s
This month, Sarah Kaufman will play the witch in the musical “Into the Woods” at the A.R.T./New York Mezzanine Theater in Midtown Manhattan. EPIC Players, a nonprofit theater company based in Brooklyn that features neurodiverse actors, is producing the musical, which is running June 8-18. Three years ago, the theater artist and writer was diagnosed with autism. “Before getting diagnosed and getting the correct help, I was unaware of the ways my environment was affecting me,” Mx. Kaufman, who, along with Shane Dittmar, the musical director for “Into the Woods,” started a nonbinary writing team called They & Them, as well as a Dungeons & Dragons-inspired fantasy musical podcast, “The Reality Shaper.”
Persons: Sarah Kaufman, Kaufman, , Shane Dittmar, Organizations: EPIC, Mx, Locations: New York, Midtown Manhattan, Brooklyn
Tyne Daly and Liev Schreiber will star in a revival of “Doubt: A Parable” on Broadway this season. The play, by John Patrick Shanley, is about a nun who suspects a priest has sexually abused a student at a Catholic school. (All Broadway theaters are planning to dim the lights of their marquees for one minute at 6:45 p.m. tonight in Haimes’s memory.) Daly, who will play the nun who serves as the school principal, and Schreiber, who will play the parish priest, are both Tony winners. “Doubt” will be one of three plays staged by Roundabout on Broadway this season.
Persons: Tyne Daly, Liev Schreiber, John Patrick Shanley, Scott Ellis, Todd Haimes, Daly, Schreiber, Tony, “ Cagney, Lacey, , ” Schreiber, “ Ray Donovan, Glengarry Glen, Theresa Rebeck, Danny DeVito, Lucy, Kenny Leon, Williams Organizations: Broadway, Roundabout Theater Company, American Airlines Theater Locations: Glengarry Glen Ross
(“Primary Trust” doubles as the name of Kenneth’s new employer, and an abbreviated metaphor for what was lost when his mother died.) As in her superstore dark comedy “Paris,” presented by Atlantic Theater Company in 2020, Booth again probes the half-dread of working-class Black characters in a one-freeway-exit corner of the Northeast. And though Kenneth’s Blackness is an underlying aspect of his experience, it is not the acute source of his alienation. Booth’s one-man study is wonderfully vivid, but there’s only so much emotional engagement that the unburdening of feelings, rather than their enactment or discovery, can inspire. Her other characters are far more loosely sketched: Sanders and Matthis turn small roles, rich with concise, sideways detail, into four-course meals, paradoxically making them feel underused.
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