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Many of CTL’s clients are museums looking to restore works by a single artist, the video art pioneer Nam June Paik, who died in 2006. Known for his sculptures and room-size installations of flickering CRT monitors, Paik began visiting the shop in the 1970s on breaks from his studio in nearby SoHo. Paik’s work was on view, along with video works from dozens of other artists, in “Signals,” a sweeping exhibition at the Museum of Modern Art in New York earlier this year. Many pieces in the show, such as those in the video collectives section, played on boxy Sony CRT monitors, long favored by artists for their austere, stackable design, and which stopped being produced in the 2000s. “I had to tell security, ‘Pretend these are Donald Judds,’ because they’re basically priceless at this point.”
Persons: Tien Lui, Lui, Nam, Paik, , Stuart Comer, , Donald Judds Organizations: CTL Electronics, Museum of Modern Art, eBay, MoMA Locations: Lower Manhattan, Taiwan, SoHo, New York
I sure got my wish with “Signals: How Video Transformed the World,” which closes this weekend at the Museum of Modern Art — and which, screen for screen, hour for hour, stands proud as the most perplexing exhibition of the year. Maybe a dozen times since its opening in March I have ascended to MoMA’s top floor for this ambitious, irregular exhibition of video art, the largest this museum has ever put on. Given the recent subtropical weather here in New York, this final weekend might be ideal for wrestling with “Signals” in MoMA’s climate-controlled galleries. “Signals,” drawn from the museum’s collection by the curators Stuart Comer and Michelle Kuo, is decidedly not a history of video art. (Fair enough: Nauman had a major retrospective in these same galleries in 2018, and Jonas has one coming up next year.)
Persons: bafflement, , Stuart Comer, Michelle Kuo, Bruce Nauman, Joan Jonas, Nauman, Jonas, Nam, Paik, Orwell Organizations: , Museum of Modern, I’ve, New Locations: New York, Paris
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