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Search resuls for: "Richard Prince"


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Barbara Gladstone, an art dealer whose eye for spotting talent and knack for nurturing it helped her to build one of the largest and most influential contemporary art galleries in New York, died on Sunday in Paris. She was 89. Her gallery said her death, in a hospital, was caused by an ischemic event, whose symptoms are similar to those of a stroke. Ms. Gladstone, who was on a working trip to Paris, lived in Manhattan. What brought these disparate artists together on her list was her abiding interest in them personally and the devoted way she husbanded their work.
Persons: Barbara Gladstone, Gladstone, Robert Rauschenberg, Keith Haring, Elizabeth Murray, Matthew Barney, Mario Merz, Alighiero Boetti, Richard Prince, Robert Bechtle, Shirin Neshat, Wangechi Mutu, LaToya Ruby Frazier Organizations: Italian Arte Locations: New York, Paris, Manhattan, Italian
NEW YORK (AP) — In a new study, Black Americans expressed broad concerns about how they are depicted in the news media, with majorities saying they see racist or negative depictions and a lack of effort to cover broad segments of their community. Political Cartoons View All 1182 Images“There's a feeling that Black Americans are often depicted as perpetrators or victims of crime, and there are no nuances in the coverage,” Whitaker said. For example, 46% of Republicans and 44% of Democrats say that news coverage largely stereotyped Black people, Pew said. While 57% of those in lower income levels said news coverage about Black people was more negative than it was about other groups. Prince said there was notable progress, post-Floyd, in the hiring of Black journalists into leadership roles in the media.
Persons: George Floyd's, Pew, “ It's, , Charles Whitaker, ” Whitaker, , Richard Prince, Prince, he's, Katerina Eva Matsa, Matsa, Whitaker, Medill, “ We're, Floyd Organizations: Pew Research Center, Medill, Northwestern University, Blacks, Black Democrats, Republicans, Pew, Northwestern Locations: New
“Is It Good Enough to Fool My Gallerist?” David Salle, one of America’s most thoughtful painters, hoped an A.I. “We are sending the machine to art school,” Salle quipped, before expounding on the principles of light, shadow, depth and volume that good painting requires. Safe to say that nobody would mistake this image for a Salle painting. Salle’s style has changed over the years, which made capturing his essence a little more challenging for an algorithm. Put through the blender of a machine, Salle’s art becomes a remix: a pastiche of pastiches.
Persons: ” David Salle, David Salle, ” Salle, wisps, , , Justin Kaneps, Danika Laszuk, Grant Davis, Ben Lerner, , David Salle ”, Hillary Clinton doppelgänger, Edward Hopper … …, Giorgio de Chirico, Bernini, Salle, Salle’s, Sarah French, ” Davis, David, John Baldessari, Peter Arno, Richard Prince, Cindy Sherman, Alex Katz, Katz, Jackson Pollock, Davis, … …, , tutus, Barbara Gladstone, Arno, shrugged Organizations: The New York Times, New York Times, Whitney Museum of American Art, Betaworks, ” Salle, California Institute of, Arts, New Yorker, Salle Locations: ” Salle, , Seoul
It turned out that what the majority actually had problems with — what the decision was mostly about — was the Warhol Foundation’s failure to pay Goldsmith a licensing fee in 2016. It looked like the court had sidestepped the larger issue of whether Warhol should have used her image at all. Or that’s what this new ruling would let some artists and their lawyers argue. At the very least, the ruling won’t send museums rushing to consign the appropriations they own to the dark depths of the vaults, as a more sweeping ruling against Warhol might have done. So long as appropriation artists aren’t selling licenses for their creations to be reproduced — for instance, in a popular magazine — the Supreme Court’s new decision should not affect them.
Fashion designer Valentino Garavani posed in his Fifth Avenue apartment in 2010 with the ‘Nile’ painting in the background. Photo: Jonathan Becker/Art: Estate of Jean-Michel Basquiat. Licensed by Artestar, New York/ Richard PrinceFashion designer Valentino Garavani sold a nearly 12-foot-wide Jean-Michel Basquiat painting that interrogates the history of slavery for $67 million at Christie’s on Monday. Mr. Garavani paid $5.2 million for 1983’s “El Gran Espectaculo (The Nile)” in 2005, but the triptych came up for bid with a $45 million estimate, according to auction database Artnet . This time around, two dogged bidders chased it higher, with an anonymous telephone bidder winning it.
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