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Search resuls for: "Precious Adesina"


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‘One Day’ Is Back. This Time, It’s Longer.
  + stars: | 2024-02-09 | by ( Precious Adesina | ) www.nytimes.com   time to read: 1 min
For the British author David Nicholls, the key to a good romantic story is avoiding the clichés. “The first kiss, the first night together, the wedding day. There are all these landmarks which are quite familiar and quite obvious,” he said recently. Instead, his 2009 novel “One Day” follows its two protagonists, Emma and Dexter, on the same day each year for two decades, as they weave in and out of each other’s lives as friends, partners and everything in between. What has happened on the previous 364 days is revealed slowly and indirectly, with many key moments left to the reader’s imagination.
Persons: David Nicholls, , , Emma, Dexter, Anne Hathaway, Jim Sturgess, Nicole Taylor Organizations: Netflix Locations: British, Scottish
Since its premiere in 2016, Netflix’s “The Crown” has followed the reign of Queen Elizabeth II, blending fact and fiction as each season inches closer to the present day. (The driver, Henri Paul, was also killed.) The accident, as the couple was pursued by paparazzi, shocked the world, and 30 million people in the United States alone watched the funeral of “the people’s princess” on television. But the public wasn’t privy to the private conversations between Diana and the people close to her in the weeks leading up to her death, which “The Crown” imagines. In the first four episodes — the final six will land on Dec. 14 — Diana is navigating co-parenting with her ex-husband, Charles, uncertain about her future and her relationship with Dodi as the press follows the couple’s every move.
Persons: Netflix’s, Queen Elizabeth II, Diana , Princess of Wales, Elizabeth Debicki, Emad Mohamed al, Fayed, Khalid Abdalla, Henri Paul, , Diana, Charles, Dodi Organizations: Netflix Locations: Paris, United States
Omar Victor Diop History, inheritance and possibility are re-imagined through the lens of the Senegalese photographer, one of the most successful young artists on the continent. Through his bold images, Diop examines the interplay between African and diasporic experiences by knitting together the past and present. Douglass sat for over 160 portraits, including a daguerreotype circa 1855 (bottom), to challenge negative representations of African Americans. Cultural Archive/Alamy In a 2015 self-portrait (top), from Diop’s series “Project Diaspora,” the artist emulates Frederick Douglass, who was the most photographed man of his era. Douglass sat for over 160 portraits, including a daguerreotype circa 1855 (bottom), to challenge negative representations of African Americans.
Persons: Omar Victor Diop, Frederick Douglass, Diop, Selma, , ” Omar Victor Diop, Douglass, , ” Diop, Mama Casset, Malick Sidibé, Samuel Fosso, Martin Luther King Jr Organizations: paisley, West Locations: Senegalese, American, United States, Soweto, South Africa, Africa, , African American, Dakar, Paris, Nigeria, Senegal, France, Nairobi, Lagos, Mali, America, African
In 2006, the British artist Hurvin Anderson painted his first barbershop scene. In “Barbershop,” reflections from the mirrors above a worktop create a series of rectangular patterns, like an abstract painting. In front, two slightly disordered chairs sit surrounded by scraps of hair, as if the clients have only just left, and the viewer is next to sit down. Many of these works are now on view, until Nov. 5, at “Hurvin Anderson: Salon Paintings” at the Hepworth Wakefield, a museum in northern England. (The name of the show, chosen by Anderson, refers to both hair salons and the historical art exhibitions in Paris.)
Persons: Hurvin Anderson, Hepworth Wakefield, Anderson Organizations: Hepworth Locations: British, Anderson’s, Birmingham, London, Jamaica, England, Paris
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