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Search resuls for: "Photography Gioncarlo Valentine For Wsj. Magazine"


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It’s telling that artist Sarah Sze’s cellphone ringtone is the famous five-note tune from the 1977 sci-fi classic Close Encounters of the Third Kind, which was used in the movie to communicate with an alien spaceship. “We are so fully immersed in it,” Sze says of technology, one of her great subjects. “We’re in the eye of the storm.”In her Hell’s Kitchen studio in Manhattan this past December, Sze—known for her sprawling multimedia assemblages—works amid what seems like a tornado of artistic materials. But the chaos is carefully controlled.
Maya Rudolph doesn’t need to say anything to make us laugh. Audiences around the world want to watch her perform, and only the slightest twitch of her face begets giggles. She can impersonate an elusive chanteuse or an over-the-top Italian designer or make a phrase like “bubble bath” sound luxuriously burlesque. But years ago, when it came to public-facing parts of her job—interviews, talk shows, red carpets—she would find herself unable to be funny. “It would always feel like someone was stealing my soul,” says Rudolph, 50, sitting comfortably in a velvet armchair on a late September afternoon.
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