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For Teju Cole, Art Is a Lens on a History of Violence
  + stars: | 2023-10-17 | by ( Brian Dillon | ) www.nytimes.com   time to read: +2 min
TREMOR, by Teju ColeNovelist, essayist, critic, photographer, teacher — most writers or artists are content with one or two of these titles, perhaps blurring the distinctions between main and side pursuits. “Tremor” is the most sundry and vagrant of Cole’s works to date, with abrupt changes in form, perspective and theme. (I almost wrote that Cole seems like a postcolonial version of Sebald — but Sebald is already the postcolonial Sebald.) A Nigerian American photographer and professor named Tunde is antiquing in Maine with his Japanese wife, Sadako, when they find a West African antelope headdress, or ci wara. A cheap artifact without provenance, it nonetheless starts Tunde thinking about colonial violence on both sides of the Atlantic.
Persons: Teju Cole, , , Cole, W.G, Saturn ”, Tunde, Sadako Organizations: Harvard Locations: New England, Nigerian American, Maine, West
London CNN —When The National Portrait Gallery opened its doors to the public in London on Thursday, it was the first time in three years it has done so. The National Portrait Gallery was officially opened by Catherine, Princess of Wales, seen standing in front of Joshua Reynolds’ Portrait of Mai (Omai). Why would the National Portrait Gallery commit to taking this work they wouldn’t see until it’s finished, 90% of which is created by non-artists? What did she do?” Haworth told the National Portrait Gallery about the figure. Some art critics have been scathing of the gallery’s rework, with Jonathan Jones at the Guardian dubbing it “the same old cocktail party.” His review begins: “The National Portrait Gallery has been closed for three years.
Persons: Princess Catherine of Wales, , Jamie Fobert, Purcell, The Mary Weston, David Parry, Tracey Emin, Sam Taylor Johnson’s, David Beckham, Zadie Smith, Toyin Ojih Odutola, Sir Michael Eavis, Peter Blake, Ada Lovelace, Margaret Sarah Carpenter, Catherine , Princess of, Joshua Reynolds ’, Mai, Paul Grover, Jann Haworth, Liberty Blake, Boudicca, Elizabeth I, Mary Beard, Beatrix Potter, Agatha Christie, Nicola Adams, Pepper’s, Haworth, ” Blake, , ” Jann Haworth, Toby Hancock, Blake, “ It’s, ’ It’s, it’s, ” Haworth, Oliver Hess, Jonathan Jones, Nicholas Cullinan, You’ll Organizations: London CNN, Jamie Fobert Architects, Getty, Chanel Culture Fund, Olympic, Beatles, Art, CNN, Guardian Locations: London, United Kingdom, Britain, The, Nigerian American, Glastonbury, British, Catherine , Princess of Wales, AFP, Salt Lake City
Earlier this month, she quit her job to pursue a full-time career as a creator and voice actor. This as-told-to essay is based on a conversation with Joy Ofodu, a comedic content creator and voice actor with 113,000 Instagram followers and 103,000 TikTok followers. I used hashtags and trending music, some of those in-house "best practices," but nothing that wasn't available on the @Creators Instagram page. But I could not, for example, take part in a paid Instagram creator program, or a paid TikTok, YouTube, or Snapchat program. A post shared by Joy Ofodu (@joyofodu)At the time of quitting, I had active partnerships, a primary focus, and voiceover gigs.
Beyond Catastrophe A New Climate Reality Is Coming Into View By David Wallace-WellsYou can never really see the future, only imagine it, then try to make sense of the new world when it arrives. (A United Nations report released this week ahead of the COP27 climate conference in Sharm el Sheikh, Egypt, confirmed that range.) A little lower is possible, with much more concerted action; a little higher, too, with slower action and bad climate luck. There were climate-change skeptics in some very conspicuous positions of global power. New emissions peaks are expected both this year and next, which means that more damage is being done to the future climate of the planet right now than at any previous point in history.
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