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Search resuls for: "New Journalism"


5 mentions found


Opinion | Wokeness Is Dying. We Might Miss It.
  + stars: | 2024-05-17 | by ( Michelle Goldberg | ) www.nytimes.com   time to read: +1 min
There is much about that febrile moment worth satirizing, including the white-lady struggle sessions inspired by the risible Robin DiAngelo and the inevitable implosion of Seattle’s anarchist Capitol Hill Autonomous Zone. Bowles dissects both in the book’s best sections. “At various points, my fellow reporters at major news organizations told me roads and birds are racist,” she writes. Exercise is super racist.” Even allowing for 2020’s great flood of social-justice click bait, these are misleading and reductive caricatures. It’s hardly revisionist history, for example, to point out that Interstates were tools of racial segregation.
Persons: Nellie Bowles, George Floyd, Donald Trump’s, , , Robin DiAngelo, Bowles dissects, Tom Wolfe’s “, Joan Didion’s “, It’s Organizations: New York Times, Capitol, Capitol Hill Autonomous Locations: Capitol Hill, Bethlehem
The Man Who Wrote Everything
  + stars: | 2023-09-17 | by ( Alexandra Jacobs | More About Alexandra Jacobs | ) www.nytimes.com   time to read: +1 min
BARTLEBY AND ME: Reflections of an Old Scrivener, by Gay TaleseGay Talese has a tic. I want to get this out of the way because in general I have such tremendous admiration for the man: that debonair eminence of ye olde New Journalism who is both a living landmark of Manhattan and his own best character. It’s a writerly tic, the retro habit of referring to women by the color of their hair, but as noun rather than adjective. If occasionally feeling as if you’re trapped in a Peter Arno cartoon is the price of admission to a new work by Talese, sign me up. But only one chunk of his latest book, “Bartleby and Me,” from which the above quotations are drawn, can fairly be called new.
Persons: Scrivener, Gay Talese Gay Talese, It’s, , you’re, Peter Arno, Nicholas Bartha Organizations: olde New Journalism Locations: Manhattan, Romanian
‘Radical Wolfe’ Review: Fearless Writer, Savage Wit
  + stars: | 2023-09-15 | by ( Kyle Smith | ) www.wsj.com   time to read: 1 min
Tom Wolfe in New York Photo: Yann Gamblin/Paris Match via Getty ImagesTom Wolfe was not only one of the great writers of the 20th century but he was an unusually theatrical one. From his spats to his homburgs, with his cape, his wolf-tipped walking stick, his dazzling, bespoke three-piece suits in white or cream, he looked like a parody of an Edwardian fop. Moreover, he wasn’t just the most venerated journalist (and journalistically based novelist) of his generation, he helped found the New Journalism school of writing, inspired many imitators, and caused cranial detonation among his many detractors. He did all of this in a televisual age, making frequent appearances on chat shows and submitting to the “60 Minutes” treatment. If any writer can make an apt subject for a documentary, it’s Wolfe.
Persons: Tom Wolfe, Yann Gamblin, wasn’t, it’s Wolfe Organizations: Getty, New Journalism Locations: New York, Paris
Kathleen McElroy, who had recently served as the director of the University of Texas’s School of Journalism, was thrilled to embark on a new assignment: running a similar program at her alma mater, Texas A&M University. Dr. McElroy, who once worked as an editor at The New York Times, said she was notified by the university’s interim dean of liberal arts, José Luis Bermúdez, of political pushback over her appointment. “I said, ‘What’s wrong?’” Dr. McElroy recalled in an interview. “He said, ‘You’re a Black woman who was at The New York Times and, to these folks, that’s like working for Pravda.’” Dr. McElroy left The Times in 2011. She elected to return to her tenured position at the University of Texas.
Persons: Kathleen McElroy, . McElroy, José Luis Bermúdez, , , Dr, McElroy, Organizations: University of Texas’s School of Journalism, M University, The New York Times, Pravda, Times, University of Texas, The Texas Tribune Locations: mater , Texas
Read Your Way Through Los Angeles
  + stars: | 2023-05-17 | by ( Héctor Tobar | ) www.nytimes.com   time to read: +2 min
Read Your Way Around the World is a series exploring the globe through books. Outsiders often think of Los Angeles as an anti-intellectual place, all Hollywood glitz and no substance, but writers have always been drawn to my hometown. In David L. Ulin’s “Writing Los Angeles: A Literary Anthology,” I read about Simone de Beauvoir’s 1947 journey to L.A.’s Eastside, where she learned about the city’s anti-Mexican prejudice and admired Dia de los Muertos skulls. It’s no accident that two very different, canonical works of L.A. literature climax with riots, even though they were written more than a half century apart: Nathanael West’s 1939 novel “The Day of the Locust,” and Anna Deavere Smith’s play “Twilight: Los Angeles, 1992.”Is there a book, or a writer, who captures the essence of Los Angeles? With her iconic 1960s and ‘70s essays about Los Angeles and the West, in collections such as “Slouching Towards Bethlehem,” Didion helped invent New Journalism.
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