Top related persons:
Top related locs:
Top related orgs:

Search resuls for: "MoMA’s"


5 mentions found


At SFMOMA, Disability Artwork Makes History
  + stars: | 2024-05-07 | by ( Jonathan Griffin | ) www.nytimes.com   time to read: +1 min
In 1974, Florence Ludins-Katz and Elias Katz — she an artist, he a psychologist — turned the garage of their Berkeley home into an art studio for adults with developmental disabilities. Across California at that time, people with a range of disabilities were being deinstitutionalized, with little provision made for them after their release. Half a century on, Creative Growth — as the iconoclastic and influential studio in Oakland was named — is celebrating its 50th anniversary with an exhibition, “Creative Growth: The House That Art Built,” at the San Francisco Museum of Modern Art. The exhibition draws from SFMOMA’s half-million-dollar acquisition of more than 100 Creative Growth artworks, the largest purchase by any American museum of the work of disabled artists. The museum acquired 43 more pieces from Creative Growth’s sister organizations in California, also founded by the Katzes: Creativity Explored in San Francisco and NIAD (Nurturing Independence Through Artistic Development) in Richmond.
Persons: Florence Ludins, Katz, Elias Katz —, Organizations: San Francisco Museum of Modern Art Locations: California, Oakland, San Francisco, Richmond
Grace Wales Bonner’s approach to fashion can sometimes feel more like that of an academic rather than a designer. Her collections for Wales Bonner, the brand she started in 2015, are informed by dazzlingly intensive research spanning critical theory, music, literature, history and mysticism. Her clever embrace of so many perspectives and personalities, and her proudly Afro-Atlantic approach to fashion, has made Ms. Wales Bonner, 33, an increasingly influential figure in field. This year, she began showing her collections in Paris, the creative and commercial epicenter of luxury fashion. But Ms. Wales Bonner is also a polymath with artistic ambitions outside fashion.
Persons: Grace Wales, Wales Bonner, Haile Selassie, James Baldwin, Theaster Gates, Man Ray, Alexander Calder, Moustapha Dimé, Terry Adkins Organizations: Adidas, Museum of Modern Art Locations: Harlem, Jamaica, Paris, New York, Betye Saar
“Irving made it possible for us to buy that work of art, pure and simple,” said Glenn D. Lowry, MoMA’s longtime director. Born Dec. 1, 1930, in New York, where his father owned furniture stores, Blum moved to Phoenix when he was 10. Blum met the collectors who came to visit galleries in the area. Blum came back with a painting by Josef Albers — a pioneer of color in abstract art — and he was on his way. Then in 1956 the gallerist David Herbert took Blum to meet Ellsworth Kelly.
Persons: “ Irving, , Glenn D, Lowry, MoMA’s, Warhol, ” Blum, Ellsworth Kelly’s, Frank Stella’s “, Blum, Hans Knoll, Betty Parsons, Sidney Janis, Eleanor Ward, Martha Jackson —, , Sam Kootz, Florence Knoll, Josef Albers —, David Herbert, Ellsworth Kelly Organizations: Museum of Contemporary Art, Air Force Locations: Frank Stella’s “ Ctesiphon, Los Angeles, New York, Phoenix, Tucson, German, Knoll, Midtown Manhattan, Connecticut
I sure got my wish with “Signals: How Video Transformed the World,” which closes this weekend at the Museum of Modern Art — and which, screen for screen, hour for hour, stands proud as the most perplexing exhibition of the year. Maybe a dozen times since its opening in March I have ascended to MoMA’s top floor for this ambitious, irregular exhibition of video art, the largest this museum has ever put on. Given the recent subtropical weather here in New York, this final weekend might be ideal for wrestling with “Signals” in MoMA’s climate-controlled galleries. “Signals,” drawn from the museum’s collection by the curators Stuart Comer and Michelle Kuo, is decidedly not a history of video art. (Fair enough: Nauman had a major retrospective in these same galleries in 2018, and Jonas has one coming up next year.)
Persons: bafflement, , Stuart Comer, Michelle Kuo, Bruce Nauman, Joan Jonas, Nauman, Jonas, Nam, Paik, Orwell Organizations: , Museum of Modern, I’ve, New Locations: New York, Paris
They’re Taking Jigsaws to Infinity and Beyond
  + stars: | 2022-12-09 | by ( Siobhan Roberts | ) www.nytimes.com   time to read: +2 min
There was a fine line, however, between psychedelic finery and “letting the color stretch and warp too far,” Ms. Ghassaei said. The journal Science featured their 3D-printed organ research with Jordan Miller, a bioengineer at Rice University. The route from one project to the next is marked with mathematical concepts like Laplacian growth, Voronoi structures and the Turing pattern. These concepts, which loosely speaking govern how shapes and forms emerge and evolve in nature, “cultivate the algorithms,” Ms. Rosenkrantz has written. The same algorithms can be applied to very different media, from the twisty maze pieces to the intricate components of 3D-printed organs.
Total: 5