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The University of the Arts president, Kerry Walk, has resigned only a few days after her administration said that the nearly 150-year-old institution in Philadelphia would close because of declining revenue and enrollment, union officials representing school employees told The New York Times on Tuesday. News of the resignation, which earlier appeared in The Philadelphia Inquirer, broke as students were protesting the closure on campus, holding signs with messages including “It’s not noble for artists to suffer” and “We are not trash don’t throw us away.” Union officials told The New York Times that a meeting to start layoff negotiations on behalf of some 450 employees was abruptly canceled Tuesday by the school’s outside legal counsel as faculty learned that Walk was stepping down. “We are appalled,” United Academics of Philadelphia, one of the unions representing employees, wrote in a statement. “This sudden resignation, announced via the media, continues the pattern of disregard and cruelty to which the University of Arts has subjected employees and students.”On Sunday, the University of the Arts posted a statement to its website saying that “despite our best efforts, we could not ultimately identify a viable path for the institution to remain open and in the service of its mission.” It has not commented on Walk’s resignation; she served as university president for less than a year. Before she joined the University of the Arts, Walk was the president of Marymount Manhattan College for eight years.
Persons: “ It’s, Organizations: University of the Arts, Kerry, New York Times, ., Philadelphia Inquirer, , of, University of Arts, Marymount Manhattan College Locations: Philadelphia, ” United, of Philadelphia
Happy 100th Birthday, 16-Millimeter Film
  + stars: | 2023-04-18 | by ( Devika Girish | ) www.nytimes.com   time to read: +2 min
One hundred years ago, the Eastman Kodak Company introduced a shiny new camera that promised to revolutionize moviemaking. The technical marvel, however, wasn’t just the camera but also the film inside. Until 1923, the film used most commonly in motion pictures was 35 millimeters wide. Until digital video arrived in the late 1990s, 16-millimeter film was the mainstay of the amateur or independent filmmaker, requiring neither the investment nor the know-how of commercial cinema. The third film, “Black Faces” from 1970, was an ebullient, one-minute montage of portraits of Harlem residents.
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