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NEW YORK (AP) — Andrea Götsch was surprised when she won her audition in 2019 that led to membership in the Vienna Philharmonic. I thought that was too far away.”A male bastion from its founding in 1842 until 1997, the Vienna Philharmonic now has 24 female players among 145 members with three vacancies as it tours the United States this week. And we want the best members, so it was the right decision.”Based since 1870 at Vienna’s Musikverein, the Vienna Philharmonic elects leadership, engages conductors, chooses programs and schedules tours and recording sessions. It selects members from the Vienna State Opera Orchestra and has had a summer residency at the Salzburg Festival since 1922. A year later, she was confirmed for the Opera Orchestra and in 2022 she became a VPO member.

Persons: — Andrea Götsch, ”, “, It’s, Daniel Froschauer, Vienna’s Musikverein, Anna Lelkes, Albena Danailova, Franz Welser, Madeleine Carruzzo, York Philharmonic’s, Stephanie “ Steffy ” Goldner, Helen Kotas, Froschauer, Anneleen Lenaerts, Xavier de Maistre, Michael Bladerer, Strauss ’, Arabella ”, ” Lenaerts, ” Götsch, Johann Hindler, Verdi’s “, Daniel Harding, Götsch Organizations: Vienna Philharmonic, Associated Press, Vienna State Opera Orchestra, Salzburg Festival, Philharmonic, Carnegie Hall, Berlin Philharmonic, York, Chicago Symphony Orchestra, State Opera Orchestra, Mahler, of, State Opera, VPO, Opera Orchestra Locations: Vienna, United States, Vienna’s, Swiss, Brussels, Bolzano, Italy, Mahler’s

NEW YORK (AP) — Gushing after the New York Philharmonic performed Leonard Bernstein’s music, Bradley Cooper talked about creating the film “Maestro ″ in hopes of drawing more attention to the composer and conductor. They were joined by Carey Mulligan, who played Felicia Montealegre, the actor and wife of Bernstein. Nézet-Séguin, a 48-year-old Canadian who is music director of the Metropolitan Opera and the Philadelphia Orchestra, served as a consultant to Cooper on conducting. Cooper, who is not Jewish, also faced scrutiny for wearing a prosthetic nose as part of his transformation into Bernstein, who was. What’s next for Cooper, a biopic of Herbert von Karajan, the iron-willed leading conductor of the second half of the 20th century?

Persons: Leonard Bernstein’s, Bradley Cooper, Maestro ″, don’t, Lincoln Center’s David Geffen, Leonard Bernstein, ” Yannick Nézet, Séguin, Cooper, Bernstein, Carey Mulligan, Felicia Montealegre, Maestro ”, Mulligan, Taylor Swift, ”, “ Bradley Cooper, Jamie, Nina, Alexander, Bayoh, “, Edward R, Murrow, Stevie Sondheim, —, Cooper didn’t, hadn’t, Gounod’s “ Roméo, Bernstein’s, Lenny, ” Cooper, What’s, Herbert von Karajan Organizations: New York Philharmonic, Lincoln, Lincoln Center’s David Geffen Hall, Associated Press, Venice, Metropolitan Opera, Philadelphia Orchestra, “, England’s Ely Cathedral, Lincoln Center, philharmonic Locations: New York City, America, “ Chichester, England’s

☆ Schubert at the Vast Park Avenue Armory: Intimate, Lonely, Exposed
▼ + stars: | 2023-09-20 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +1 min

But the idea of mounting, say, Mahler’s “Kindertotenlieder” didn’t appeal to Guth. “If you have this huge orchestra, it will be the same structure you have at a normal concert,” he said. “So, how to get this very specific situation of not being in the opera house or concert hall? We thought it would be great to have in this huge hall just this lonely singer exposed.”They arrived at the idea of a song recital. “It’s a thrilling space to put anything in, and in a way it’s your responsibility to do justice to it.

Persons: ”, Guth, Schubert, ” Guth, ” Levine, ” —, gesturing, “, I’ve, it’s Organizations: Armory, Metropolitan Opera

☆ Gustavo Dudamel in New York: Selfies, Hugs and Mahler
▼ + stars: | 2023-05-28 | by ( James Estrin | Javier C. Hernández | ) www.nytimes.com time to read: 1 min

The violins were tuning, the woodwinds warming up and the trumpets blaring bits of Mahler. Then the musicians of the New York Philharmonic began to whistle and cheer. Gustavo Dudamel, one of the world’s biggest conducting stars, strode onto the stage this month for his first rehearsal with the Philharmonic since being named the ensemble’s next music director. “I will have the opportunity in the next few days to hug everybody,” he told the musicians, smiling and pumping his fist. “I’m very honored to become part of the family.”

☆ Review: Gustavo Dudamel Leads His New York Philharmonic
▼ + stars: | 2023-05-20 | by ( Zachary Woolfe | ) www.nytimes.com time to read: +1 min

Gustavo Dudamel began his reign at the New York Philharmonic on Friday with an ending. The program was planned long before Dudamel’s appointment, but it turned out to be ideal for this moment. Nearly an hour and a half long, Mahler’s Ninth fills a concert on its own. On Friday it provided a long, focused communion between a conductor and the players he’ll be leading in the years to come. (Dudamel’s predecessor, Jaap van Zweden, finishes next season and, because of classical music’s ludicrously slow planning cycles, Dudamel, currently at the Los Angeles Philharmonic, won’t officially start his five-year contract until 2026.)

☆ ChatFished: How to Lose Friends and Alienate People With A.I.
▼ + stars: | 2023-05-07 | by ( Emma Goldberg | ) www.nytimes.com time to read: +1 min

It is enough time to listen to the Spice Girls’ “Spice” album (40 minutes), Paul Simon’s “Paul Simon” album (42 minutes) and Gustav Mahler’s third symphony (his longest). It is enough time to roast a chicken, text your friends that you’ve roasted a chicken and prepare for an impromptu dinner party. Five hours is about how long many workers spend on email each day. It’s a weird thing, workplace chatter like email and Slack: It’s sometimes the most delightful and human part of the work day. It can also be mind-numbing to manage your inbox — to the extent you might wonder, couldn’t a robot do this?

☆ The Boston Symphony Finds Surprises and Strengths in New Music
▼ + stars: | 2023-04-26 | by ( Oussama Zahr | ) www.nytimes.com time to read: +1 min

When orchestras come to Carnegie Hall, their programs typically tell you two things: who they are and what they can do. Or when the Berlin Philharmonic and Kirill Petrenko opened up the complex worlds of Mahler’s Seventh with coordinated virtuosity. And over two nights at Carnegie this week, the Boston Symphony Orchestra and its music director, Andris Nelsons, told their story gradually, one piece at a time, in canonical works by Ravel, Rachmaninoff, Sibelius and Mozart. Among American orchestras, the Boston Symphony’s sound is enviably rich. That opulence was readily apparent in the ceaseless flow of cantabile melodies in Rachmaninoff’s Second Symphony.

Why did Field create Tár as a lesbian rather than a straight woman, or one of the great men themselves? The decision by director and screenwriter Todd Field to make Tár a lesbian unsettled me. The film’s core is not so much about a lesbian predator but about the more general use and abuse of power, including sexual power, that Lydia wields at will. So why did Field create Tár as a lesbian rather than a straight woman, or one of the great men themselves? — “Tár on Tár,” and is soon to conduct a landmark live recording of Gustav Mahler’s “Symphony No.

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