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Feeling lonely? Go to the library.
  + stars: | 2023-09-24 | by ( Juliana Kaplan | Eliza Relman | ) www.businessinsider.com   time to read: +12 min
And it's becoming clearer just how important "third places" — spaces for socializing outside of work and home — are. Wood, who thinks libraries are "one of the last true third places," explained that there are a range of spaces in her library. Abrams said he regularly drops by the New York Public Library just to pick up sticky buns from Amy's Bread, a bakery with an outpost in the library. Eliza Relman/InsiderIn Boston, for instance, the Boston Public Library is thriving, Gregor Smart, the head of the Kirstein Business Library and Innovation Center at BPL, said. Covid taught the library the need for things like Macs with webcams, for instance, so library goers can hop on Zoom or do job interviews.
Persons: Stephanie Garcia, Emily Dickinson, Willa Cather, Garcia, Eliza Relman, Carla Hayden, We're, Brittany Simmons, who's, TikTok, Simmons, , Brooks Rainwater, it's, Emma Wood, That's, we're, Katie Davidovich, — we've, Davidovich, Tim Peters, Peters, Wood, Samuel Abrams, Abrams, hasn't, Rainwater, Gregor Smart, Smart, Covid Organizations: Service, of Congress, of Labor, Library of Congress, DC, Congress, Urban Libraries Council, University of Massachusetts Dartmouth, Capitol, College, Central Michigan University, American Enterprise Institute, New York Public, Public, Boston, Boston Public Library, Business, Innovation, BPL Locations: Wall, Silicon, Washington ,, New York, Capitol Hill, Canada
George Balanchine, by his own admission, always admired jewels, a quality he attributed to his Georgian roots. “I like the color of gems, the beauty of stones,” he wrote in “101 Stories of the Great Ballets.”When, in 1967, the curtain rose at New York City Ballet on his opulent triptych, known as the first full-length plotless ballet, it had no unifying title. “Emeralds” possesses the fragrant earthiness and secrecy of nature; “Rubies” is heat and playfulness, with the games and posturing of a summer scape in New York City; and “Diamonds” casts a dazzling spell of cool refinement that wavers between soft and hard. “Jewels,” as it came to be called, is an occasion as well as a ballet. (The music was performed live, though before the show, members of the New York City Ballet Orchestra held a rally in front of Lincoln Center’s plaza to protest delays in contract negotiations.)
Persons: George Balanchine, , Balanchine, Lincoln Kirstein, Suzanne Farrell, Allegra Kent, Patricia McBride, Edward Villella — Organizations: New York City Ballet, City, Lincoln Center, New York City Ballet Orchestra Locations: New, New York City, Lincoln
The original “Filling Station” was created for Ballet Caravan, a short-lived touring company led by the impresario Lincoln Kirstein, as part of his long effort to establish ballet in the United States. It was a mix of ballet bravura, vaudeville gags and comic-strip aesthetics. (A 1954 television performance by dancers from New York City Ballet, which Kirstein founded with George Balanchine in 1948, can be found on YouTube.) Kirstein described the gas station setting as an invitingly familiar one, a crossroads where different kinds of “recognizable social types” could meet. “There was a lot of difference in the space, and I was working not to collapse us into the same hole,” Jones said.
Persons: Lincoln Kirstein, Kirstein, George Balanchine, Lutz, Kinoy, he’s, , , ” Jones, Maxfield Haynes, Mina Nishimura Organizations: Ballet, New York City Ballet, YouTube, Lincoln, Museum of Modern Art Locations: United States, New, Kinoy’s, Kirstein
The pared-back performance, featuring just Sakamoto and his piano, was captured by his son, Neo Sora, and turned into a concert film "Opus" which is screening at the Venice Film Festival some six months after the 71-year-old composer died. But he still wanted to make sure to leave something before he couldn't play any longer," Sora told Reuters in Venice following the film's world premiere. Filmed in black and white, "Opus" focuses on the physicality of Sakamoto's performance. And I think especially for fans who know that song really well, that must be really touching," said Sora. I think he would be really proud and happy that this film is here."
Persons: Ryuichi Sakamoto, Sakamoto, Neo Sora, Sora, Oscar, Lawrence, Bill Kirstein, Crispian Balmer, Josie Kao Organizations: Venice Film, Reuters, Thomson Locations: VENICE, Japanese, Tokyo, Venice
Anniversary celebrations abound this year, in a dance season that seems conspicuously preoccupied with the past. September2023 CROSSING THE LINE FESTIVAL The dance offerings at the French Institute Alliance Française’s annual festival range from celebratory to contemplative. The choreographer Tatiana Desardouin’s “Les 5 Sens,” a collaboration with the artist Nubian Néné, offers an all-night hip-hop dance party at the Standard Hotel’s Boom Boom Room (Sept. 14). And Olivier Tarpaga’s “Once the dust settles, flowers bloom” considers the plight of refugees from Burkina Faso (Oct. 3-8, the Joyce Theater). The multidisciplinary artist Matthew Lutz-Kinoy’s “Filling Station,” a world premiere presented by The Kitchen, reimagines that work for a different America.
Persons: Agnes de Mille, Tatiana Desardouin’s “, , , FIAF Florence Gould, Olivier Tarpaga’s “, MATTHEW LUTZ, KINOY, Lincoln, Lew Christensen’s, Matthew Lutz, serpentwithfeet, Raja Feather Kelly, Wu Tsang Organizations: Russes, French Institute Alliance, FIAF Florence Gould Hall, Ballet, Horatio, Gas, Dia Locations: U.S, Burkina Faso, , America
The world of letters has been mourning Robert Gottlieb, who died last week at 92, as a reader and editor of qualities that became legendary. The world of dance has been mourning him as well. He neither performed nor choreographed, but he played a major role, often behind the scenes, in fostering American dance. He ran influential works of dance criticism as editor of The New Yorker, and he later became a dance critic himself for The New York Observer. Perhaps less widely known was the key role he played behind the scenes at New York City Ballet, where he served on the board of directors.
Persons: Robert Gottlieb, Alfred A ., Mikhail Baryshnikov, Arlene Croce, Margot Fonteyn, Lincoln Kirstein, Natalia Makarova, Paul Taylor, , Alfred Knopf, , ” Gottlieb —, Bob, , George Balanchine, Balanchine Organizations: Alfred A . Knopf, Yorker, The New York Observer, New York City Ballet, The, City Center, Ballet Society, City Ballet, Sadler’s, Ballet, Metropolitan Opera House Locations: New
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