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Search resuls for: "Josef Albers —"


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Ruth Asawa: Solid Form Meets Thin Air
  + stars: | 2023-09-14 | by ( Nancy Princenthal | ) www.nytimes.com   time to read: +1 min
Anti-Japanese prejudice survived the war, and prevented Asawa from securing the work experience she needed to complete a degree in teaching. Both mixed design, geometry and art in their teaching, and both became Asawa’s lifelong friends. Exhorting his students to explore ordinary materials such as paper, wire and string, Albers paired an aesthetic inclination with habits of thrift already deeply instilled in Asawa. Formal economy and practical frugality, shared hallmarks of many Depression-era Modernists, are also standard practice in vernacular craft traditions around the world. Asawa, shaped by both, made her second trip to Mexico during a summer break from Black Mountain, learning to weave wire baskets from local artisans.
Persons: Josef Albers —, Buckminster Fuller, , , Albers Organizations: Black Mountain College Locations: Mexico
“Irving made it possible for us to buy that work of art, pure and simple,” said Glenn D. Lowry, MoMA’s longtime director. Born Dec. 1, 1930, in New York, where his father owned furniture stores, Blum moved to Phoenix when he was 10. Blum met the collectors who came to visit galleries in the area. Blum came back with a painting by Josef Albers — a pioneer of color in abstract art — and he was on his way. Then in 1956 the gallerist David Herbert took Blum to meet Ellsworth Kelly.
Persons: “ Irving, , Glenn D, Lowry, MoMA’s, Warhol, ” Blum, Ellsworth Kelly’s, Frank Stella’s “, Blum, Hans Knoll, Betty Parsons, Sidney Janis, Eleanor Ward, Martha Jackson —, , Sam Kootz, Florence Knoll, Josef Albers —, David Herbert, Ellsworth Kelly Organizations: Museum of Contemporary Art, Air Force Locations: Frank Stella’s “ Ctesiphon, Los Angeles, New York, Phoenix, Tucson, German, Knoll, Midtown Manhattan, Connecticut
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