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Search resuls for: "John Constable’s “"


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When the suffragist Mary Richardson walked into the National Gallery in London with a concealed hatchet in March 1914, she headed for the “Rokeby Venus,” one of Diego Velázquez’s most celebrated paintings, and slashed it repeatedly. Now, over a century later, Velázquez’s nude appears to have been damaged again. Just before 11 a.m. on Monday, two climate activists belonging to Just Stop Oil, a British group that wants to prevent new oil and gas licensing, struck the glass that protects the painting 10 times with emergency hammers. It was initially unclear whether they had damaged the painting. Over the past year and a half, Just Stop Oil has made headlines through attention-grabbing stunts in British museums, including protests in which members glued themselves to John Constable’s “The Hay Wain” and threw tomato soup over Vincent van Gogh’s “Sunflowers” — two other artworks in the National Gallery collection.
Persons: Mary Richardson, Rokeby, Diego Velázquez’s, ” —, John Constable’s “, Hay Wain ”, Vincent van Locations: London, British
BERLIN — Climate activists in Austria on Tuesday attacked a famous painting by artist Gustav Klimt with a black, oily liquid and one then glued himself to glass protecting the painting’s frame. Members of the group Last Generation Austria tweeted they had targeted the 1915 painting “Death and Life” at the Leopold Museum in Vienna to protest their government’s use of fossil energies. After the attack, police arrived at the museum and the black liquid was quickly cleaned off the glass protecting the painting, Austria Press Agency reported. It’s one of the latest pieces of art to be targeted by climate activists to draw attention to global warming. Just Stop Oil activists also glued themselves to the frame of an early copy of Leonardo da Vinci’s “The Last Supper” at London’s Royal Academy of Arts, and to John Constable’s “The Hay Wain” in the National Gallery.
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