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Search resuls for: "Heidi Waleson"


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Will Liverman (center) in a scene from Anthony Davis's ‘X: The Life and Times of Malcolm X’ Photo: Marty Sohl/The Metropolitan OperaNew YorkNearly four decades after its birth, Anthony Davis ’s “X: The Life and Times of Malcolm X” has arrived at the Metropolitan Opera. At the time of its 1986 New York City Opera world premiere across the Lincoln Center Plaza, its controversial subject and unconventional musical idiom would have been unthinkable at the conservative Met; today, it is part of a vigorous company initiative predicated on the idea that new operas attract new audiences. The times have finally caught up with “X,” even as the events that it chronicles have receded into the more distant past.
Persons: Will Liverman, Anthony Davis's ‘, Malcolm X ’, Marty Sohl, Anthony Davis ’, Malcolm X ” Organizations: Metropolitan Opera New, Metropolitan Opera, York City Opera, Lincoln Center Plaza, Met Locations: Metropolitan Opera New York
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/arts-culture/theater/dead-man-walking-review-a-death-row-drama-at-the-metropolitan-opera-4d43cb44
Persons: Dow Jones, 4d43cb44
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/arts-culture/theater/10-days-in-a-madhouse-simon-boccanegra-and-doppelganger-reviews-insanity-and-humanity-53ab2c3b
Persons: Dow Jones
What to Watch: The 15 Best New Movies and TV Shows From AprilThis copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/articles/poliuto-crispino-e-la-comare-and-henri-viii-reviews-overlooked-operas-revisited-c7bf20dc
Persons: Dow Jones, henri
Peter Mattei and Adam Plachetka Photo: Karen Almond / Met OperaNew YorkThis final month of the Metropolitan Opera season features two Mozart production premieres with some high-profile debuts. On Friday, director Ivo van Hove and conductor Nathalie Stutzmann bowed with the first one, a blistering “ Don Giovanni .” Directors accustomed to the theater world are often stymied by the demands of opera, but Mr. Van Hove, best known in New York for Broadway productions including the recent dark, video-heavy “West Side Story,” reveled in them, and Ms. Stutzmann, a singer before she turned to conducting (she is currently the music director of the Atlanta Symphony), paced the evening for maximum dramatic effect. (She will also conduct the new “Die Zauberflöte,” directed by Simon McBurney , which opens on May 19.)
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/articles/proximity-and-the-life-and-death-s-of-alan-turing-reviews-a-weekend-of-world-premieres-3fe73739
Seattle‘A Thousand Splendid Suns,” by composer Sheila Silver and librettist Stephen Kitsakos , which had its world premiere at the Seattle Opera recently, turned out to be more timely than its creators anticipated. Set in modern Afghanistan and based on the 2007 novel by Khaled Hosseini , the opera unfolds against the backdrop of several tumultuous decades of Afghan history, beginning in 1974, five years before the Soviet invasion, and ending in July 2001 with the country firmly in the grip of the Taliban. The story is about two women brutally subjected to Afghanistan’s patriarchal religious tradition, but both the book and the opera were written during the two decades of U.S. military presence in the country, when women were allowed to be educated and hold jobs. As the opera’s first production meetings were under way in 2021, however, the Taliban reasserted control, making the work’s themes immediate rather than historical.
‘The Hours’ Review: A Woolf Pack of Divas at the Met
  + stars: | 2022-11-29 | by ( Heidi Waleson | ) www.wsj.com   time to read: 1 min
New York‘The Hours,” by composer Kevin Puts and librettist Greg Pierce , which had its world-premiere staged production at the Metropolitan Opera last Tuesday, is clever in concept. Its sources—the 1998 Pulitzer Prize-winning novel by Michael Cunningham and the 2002 all-star film by Stephen Daldry —supply juicy roles for three women playing characters experiencing traumas in three separate eras, related through Virginia Woolf’s novel “Mrs. Dalloway.” The structure of opera permits techniques of simultaneity and overlap that exist in no other medium. From a marketing standpoint, the creation of “The Hours” was driven by soprano Renée Fleming , once the Met’s most beloved diva, whose 2017 “Der Rosenkavalier” at the house supposedly marked her retirement from staged opera. On Tuesday, she returned in the role of Clarissa Vaughan, custom tailored for her voice.
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