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Academy Award winner Emerald Fennell‘s anticipated “Wuthering Heights” adaptation just got buzzier with Academy Award nominee Margot Robbie and BAFTA nominee Jacob Elordi attached to star as Catherine Earnshaw and Heathcliff. MRC has tapped LuckyChap to produce the upcoming feature film — written, directed and produced by Fennell, based on the classic romance novel by Emily Brontë. Robbie has also been vocal in championing Fennell’s unique sensibilities after producing both the filmmaker’s movies. She’s so masterful at tone and plot,” Robbie said reflecting on “Saltburn’s” more shocking scenes in a January interview with Variety. Deadline was first to report news of Robbie, Elordi and LuckyChap’s involvement in the project.
Persons: Emerald Fennell‘s, Margot Robbie, Jacob Elordi, Catherine Earnshaw, Heathcliff, Fennell, Emily Brontë, Oscar, ” Fennell, Barbie, Robbie, , Elordi, Saltburn, Barry Keoghan, Variety he’s, , ” Robbie, Carey Mulligan, Mulligan, Rosamund Pike, Kogonada’s, Tom Ackerley, Josey McNamara, “ Saltburn ”, Elvis Presley, Sofia Coppola’s “ Priscilla, ” Elordi, Justin Kurzel, Guillermo del Toro’s, Michael Management, Jeff Bernstein, Gersh . Fennell Organizations: MRC, Variety, Entertainment, CAA, Gersh, UTA Locations: Wuthering, I’m
Name Above the Movie Title? How About in It?
  + stars: | 2023-04-20 | by ( Leah Greenblatt | ) www.nytimes.com   time to read: +2 min
With “Pinocchio” and the 2022 Netflix horror-anthology series “Guillermo del Toro’s Cabinet of Curiosities,” the director joins a long line of auteurs, from Alfred Hitchcock to Tim Burton, whose presence not merely above the title but in it serves as a stylistic marker, even when it’s not strictly their hand guiding the material. (The horror godhead Wes Craven habitually did the same; see “Wes Craven’s New Nightmare.”) Few, though, can claim to be the one-man industry that is Tyler Perry, who retains full ownership of the projects produced under his personal shingle at his stand-alone studio in Atlanta. The multihyphenate creator has famously put‌‌ his signature on several movie and television titles released under its umbrella — including “Tyler Perry’s A Madea Homecoming,” the most recent iteration of the reliably raucous comedies that he also writes and stars in as a salty, well-cushioned matriarch of a certain age. While Madea is Perry’s wholesale creation, indubitably linked to the man who wears her wig onscreen, certain intellectual properties with roots that reach back centuries have tilted their brims instead toward a more literal (and literary) acknowledgment of the source. Neither he nor Christie is officially billed in the title.
Top movie nominee "Everything Everywhere All at Once" won big at the 28th Critics Choice Awards on Sunday night in Los Angeles, taking home honors for Best Picture as well as directing, screenplay, editing and best supporting actor. The top TV series awards went to "Better Call Saul" for Best Drama and "Abbott Elementary," for Best Comedy. Special awards were presented to Janelle Monáe, who received the #SeeHer award, and Jeff Bridges was honored with the Lifetime Achievement Award. Read the full winners list below. Best Picture“Everything Everywhere All at Once”Best ActressCate Blanchett — “Tár”Best ActorBrendan Fraser — “The Whale”Best DirectorDaniel Kwan and Daniel Scheinert — “Everything Everywhere All at Once”Best Limited Series“The Dropout”Best Drama Series“Better Call Saul”Best Young Actor/ActressGabriel LaBelle — “The Fabelmans”Best Comedy“Glass Onion: A Knives Out Mystery”Best Acting Ensemble“Glass Onion: A Knives Out Mystery” (“Last Week Tonight with John Oliver”Best Comedy Special“Norm Macdonald: Nothing Special”Best Foreign Language Series“Pachinko”Best Animated Series“Harley Quinn”Best Movie Made for Television“Weird: The Al Yankovic Story”Best Actress in a Drama SeriesZendaya — “Euphoria”Best Actor in a Drama SeriesBob Odenkirk — “Better Call Saul”Best Hair and Makeup“Elvis”Best Visual Effects“Avatar: The Way of Water”Best EditingPaul Rogers — “Everything Everywhere All at Once”Best Production DesignFlorencia Martin, Anthony Carlino —Best CinematographyClaudio Miranda — “Top Gun: Maverick”Best Comedy Series“Abbott Elementary”Best Actress in a Comedy SeriesJean Smart — “Hacks”Best Actor in a Comedy SeriesJeremy Allen White — “The Bear”#SeeHer AwardJanelle MonáeLifetime Achievement AwardJeff BridgesBest Animated Feature“Guillermo del Toro’s Pinocchio”Best Actor in a Limited Series or Movie Made for TelevisionDaniel Radcliffe — “Weird: The Al Yankovic Story”Best Costume DesignRuth E. Carter — “Black Panther: Wakanda Forever”Best Song“Naatu Naatu” — “RRR”Best ScoreHildur Guðnadóttir — “Tár”Best Original ScreenplayDaniel Kwan, Daniel Scheinert — “Everything Everywhere All at Once”Best Adapted ScreenplaySarah Polley — “Women Talking”Best Supporting ActressAngela Bassett — “Black Panther: Wakanda Forever”Best Supporting ActorKe Huy Quan — “Everything Everywhere All at Once”Best Supporting Actor in a Comedy SeriesHenry Winkler — “Barry”Best Supporting Actress in a Comedy SeriesSheryl Lee Ralph — “Abbott Elementary”Best Supporting Actor in a Limited Series or Movie Made for TelevisionPaul Walter Hauser — “Black Bird”Best Supporting Actress in a Limited Series or Movie Made for TelevisionNiecy Nash-Betts — “Dahmer — Monster: The Jeffrey Dahmer Story”Best Supporting Actor in a Drama SeriesGiancarlo Esposito — “Better Call Saul”Best Supporting Actress in a Drama SeriesJennifer Coolidge — “The White Lotus”Best Foreign Language Film“RRR”Best Actress in a Limited Series or Movie Made For TelevisionAmanda Seyfried — The Dropout
CNN —The nominees for the 80th Golden Globe Awards were announced on Monday. Mayan Lopez and Selenis Leyva, two of the stars from “Lopez vs. Lopez,” announced the range of film and television nominees as selected by members of the Hollywood Foreign Press Association (HFPA). Favored Oscars contender “The Banshees of Inisherin” led the film categories, with nominations including best musical or comedy film. It stars Colin Farrell and Brendan Gleeson. The ceremony, which was not broadcast last January over controversy surrounding the HFPA, will return to NBC on Jan. 10.
CNN —The mere title “Guillermo del Toro’s Pinocchio” announces that this stop-motion animated movie reflects the keen eye and visual style of the directing auteur, with a healthy dose of revisionism and reimagining baked into that. Yet despite its beauty, several of those narrative touches don’t fully work, leaving behind a movie that’s aesthetically lovely but narratively uneven. Perhaps foremost, del Toro makes the ill-advised decision to incorporate songs into the story, although he keeps interrupting them, which might speak to a certain lack of conviction about that particular aspect. It’s around that point where del Toro (who shares directing credit with animator Mark Gustafson) appears determined to connect this “Pinocchio” to larger and more ambitious themes. “Guillermo del Toro’s Pinocchio” premieres December 9 on Netflix.
CNN —Taylor Swift’s about to yell action! The singer-songwriter will make her feature directorial debut with Searchlight Pictures, the studio announced. Swift also wrote the original script for the movie, which will be produced by Searchlight. The film is also eligible for the short film category at the upcoming Academy Awards. Searchlight has made Oscar winners like Guillermo del Toro’s “The Shape of Water” and Chloe Zhao’s “Nomadland.”
As a founding document of modern Italian literature, children’s literature and the Disney animation catalog, “Pinocchio” must have presented an irresistible challenge to an iconoclast like Guillermo del Toro , Oscar-winning Mexican director and mixologist of the tender and grotesque (“Pan’s Labyrinth,” “The Shape of Water”). A wooden boy who longs to be real? Mr. Del Toro likely looked at timber the way Michelangelo gazed at marble. But for all its anti-traditionalist, antifascist and maybe even anti-Disney attitude, what “Guillermo del Toro’s Pinocchio” leaves on one’s palate is sweetness—bittersweetness, at times, though the stop-motion film is melancholic and sentimental without being cloying; goofy but intelligent; enchantingly musical and moralistic without preachments. It is also a paean to the love of fathers and sons: The puppeteer Geppetto is, after all, Pinocchio’s father, though it takes the old man a while to let that sink in.
That includes a pair of original ideas from del Toro himself, “Lot 36” and “The Murmuring,” as well as two by horror author H.P. Del Toro has also handpicked the various directors, reflecting an eclectic range of projects and styles. Rupert Grint in "Dreams In The Witch House," an episode of "Guillermo del Toro's Cabinet Of Curiosities." Yet even with those disclaimers, “Cabinet of Curiosities” feels stocked with stories lacking in heft – throwing open its doors with del Toro’s buoyant enthusiasm, and too often finding its shelves looking a little bare. “Guillermo del Toro’s Cabinet of Curiosities” premieres October 25-28 on Netflix.
Tom Hanks and director Robert Zemeckis’ reunion should be a source of curiosity, but their little puppet made of wood is in a movie that’s not so good. They build toward his encounter with the seafaring Monstro, upgraded to “sea monster” status, having maligned whales quite enough. It also largely squanders the vocal talents of the likes of Joseph Gordon-Levitt and Keegan-Michael Key as Jiminy Cricket and “Honest” John, respectively. While it’s perhaps unreasonable to expect a whole lot more from this sort of highly calculated leveraging of the studio’s library than a simple diversion for parents to share with kids, it’s not unreasonable to wish the live-action “Pinocchio” might have possessed a little more dimension than this. “Pinocchio” premieres September 8 on Disney+.
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