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Carnegie Hall’s New Season: What We Want to Hear
  + stars: | 2024-02-07 | by ( ) www.nytimes.com   time to read: +1 min
The Latino experience will be a focus of Carnegie Hall’s coming season, the presenter’s leadership announced on Wednesday, with a festival inside and beyond the hall’s walls called “Nuestros Sonidos” (“Our Sounds”) and a slate of concerts featuring artists with ties to Latin America. Clive Gillinson, Carnegie’s executive and artistic director, said in an interview that the festival was meant to respond to the underrepresentation of Latino people and Hispanic culture in American classical music. He will have a growing presence in New York next season: Aside from his Carnegie appearances, he will lead several weeks of programming with the New York Philharmonic, where he takes over as music and artistic director in 2026. The Mexican-born composer Gabriela Ortiz will be in residence at Carnegie all season. Five of her works, including a concerto she wrote for the cellist Alisa Weilerstein, will have their New York premieres.
Persons: Clive Gillinson, , Gustavo Dudamel, Gabriela Ortiz, Alisa Weilerstein Organizations: Carnegie Hall’s, Los Angeles Philharmonic, Carnegie, New York Philharmonic Locations: America, Venezuela, New York, Mexican, York
NEW YORK (AP) — Carnegie Hall’s 2024-25 season will feature a festival celebrating Latin music titled “Nuestros Sonidos (Our Sounds).”Gustavo Dudamel opens the season and the festival on Oct. 8, leading the Los Angeles Philharmonic in Rachmaninoff’s Piano Concerto No. A dozen festival concerts were announced Wednesday and more will be added, with events throughout New York City. The London Symphony Orchestra, in its first season with chief conductor Antonio Pappano, plays at Carnegie Hall for the first time since 2005 when it performs on March 5, 2025. Pianist Igor Levit gives a Jan. 12 recital in which he performs Liszt’s transcription of Beethoven’s Seventh Symphony. Soprano Asmik Grigorian has a recital on Dec. 17, then returns March 18 for Strauss’ “Vier letzte Lieder (Four Last Songs)” with the Cleveland Orchestra and music director Franz Welser-Möst.
Persons: , ” Gustavo Dudamel, Lang Lang, Gustavo Castillo, Dudamel's, Gabriela Ortiz, Alisa Weilerstein, Mendelssohn’s, María Valverde, Natalia Lafourcade, , ” “ We've, Clive Gillinson, Carnegie, ” Gillinson, Kirill Petrenko, Riccardo Muti, Antonio Pappano, Igor Levit, Asmik Grigorian, Strauss, Franz Welser Organizations: — Carnegie, Los Angeles Philharmonic, Music, Arts of South, ” Carnegie, Berlin Philharmonic, Chicago Symphony Orchestra, Jan, Vienna Philharmonic, London Symphony Orchestra, Carnegie Hall, Cleveland Orchestra Locations: Spanish, New York City, Arts of South Africa, America
When orchestras come to Carnegie Hall, their programs typically tell you two things: who they are and what they can do. Or when the Berlin Philharmonic and Kirill Petrenko opened up the complex worlds of Mahler’s Seventh with coordinated virtuosity. And over two nights at Carnegie this week, the Boston Symphony Orchestra and its music director, Andris Nelsons, told their story gradually, one piece at a time, in canonical works by Ravel, Rachmaninoff, Sibelius and Mozart. Among American orchestras, the Boston Symphony’s sound is enviably rich. That opulence was readily apparent in the ceaseless flow of cantabile melodies in Rachmaninoff’s Second Symphony.
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