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Search resuls for: "Fassbinder"


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VACCARELLO’S DEBUT FOR Saint Laurent wasn’t as rapturously received as Yves Saint Laurent’s for Dior. “Anthony has been scrutinized and told his dresses were too vulgar or too sexy,” he says. At the beginning of his tenure at Saint Laurent, it sometimes seemed like Vaccarello was art directing someone else’s movie. Illuminated by the soft glow of chandeliers — a reference to the ballroom at Paris’s InterContinental hotel, the frequent site of Saint Laurent’s presentations — the women summoned the femmes fatales of Helmut Newton photographs. “Now that I’m a free man, I feel inclined to say that I think that what Anthony has done with Saint Laurent has been positively brilliant.
Persons: Saint Laurent wasn’t, rapturously, Yves Saint Laurent’s, Saint, Flinn, “ Anthony, Vaccarello, Saint Laurent, Luchino Visconti, Rainer Werner Fassbinder, can’t, he’s, Helmut Newton, Henri Pinault, , Tom Ford, Anthony Organizations: Saint Laurent, Dior, Montaigne, , Eiffel, InterContinental Locations: Saint, Malibu , Calif
Some of that reshaping should also be evident in “Unnamed Figures: Black Presence and Absence in the Early American North,” at the American Folk Art Museum (Nov. 15-March 24, 2024). This landmark effort will explore Black visual culture in New England and the Mid-Atlantic states from 1780 to 1850 in a presentation of around 125 portrait and landscape paintings, photographs, prints, needlework and stoneware jars, along with a 300-page catalog. Two of the New York’s most cherished alternative spaces, both founded in 1972, are staging solo surveys of pioneering artists of different generations and distinctly dissimilar sensibilities. Tiravanija (born in 1961) threw down the gauntlet in the 1990s with SoHo gallery exhibitions in which he made and served pad Thai (1990, at Paula Allen) and Thai vegetable curry (1992, at 303 Gallery). Much followed in several different mediums, from T-shirts proclaiming “Fear Eats the Soul,” after Werner Fassbinder’s 1974 film, to chrome sculptures of furniture, with the best operating at the intersection of collective pleasure and political consciousness.
Persons: “ Rirkrit, Paula Allen, , Werner Fassbinder’s Organizations: American Folk Art Museum Locations: American, , New England, SoHo
Fassbinder’s World: A Refuge for Outcasts
  + stars: | 2023-08-12 | by ( Nathan Gelgud | ) www.nytimes.com   time to read: 1 min
A version of this article appears in print on, Section AR , Page 2 of the New York edition with the headline: Sketchpad
Organizations: New
In TV, the top 10 list ranges from the indefinable second season of “The White Lotus” to laugh-out-loud comedies and smoldering fantasy shows. “Catch the Fair One” is available on Hulu and various video-on-demand platforms. “Paris, 13th District” is available on Amazon Prime Video and various video-on-demand platforms. “Peter Von Kant” is available on various video-on-demand platforms. “Tár” is available on various video-on-demand platforms.
Recenzia filmului „Youth” de Paolo Sorrentino
  + stars: | 2016-01-10 | by ( Onixmedia Srl | Ceai | Beatles Şi Nr. | ) diez.md   time to read: +5 min
Briciul - platformă de recenzii de filme - i-a dat o apreciere filmului „Youth” de Paolo Sorrentino – cel mai bun film la premiile Academiei Europene de Film din 2015. „Youth – memoria sublimului” de Gonzo pe Briciul. Însă Sorrentino se joacă cu clişeele la fel precum Warhol se juca cu cultura de consum. Cei frumoşi şi cei urâţi, cei deştepţi şi cei proşti, cei săraci şi cei bogaţi, muritorii de rând şi intelectualii de top. Filmul lui Sorrentino a divizat criticii în două tabere, una care-l elogiază şi alta care susţine că Youth e prea simplist şi şablonat.
Persons: Paolo Sorrentino, Warhol, Michael Caine, Harvey Keitel, Elveţia . Compozitorul, îşi, Sorrentino, Mark Kozelek, Maradona, Rainer Werner Fassbinder, Fassbinder, Diego Maradona, Youth, Caine, Paolo Organizations: Academiei Europene, Youth Locations: Elveţia, german, Grande, Grande Bellezza, pământeşti, Sorrentino
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