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Search resuls for: "Devika Girish"


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‘The First Year’ Review: Allende’s Rule in Chile
  + stars: | 2023-09-07 | by ( Devika Girish | ) www.nytimes.com   time to read: +1 min
A few years before Patricio Guzmán directed his tripartite masterpiece, “The Battle of Chile,” about the events leading to the C.I.A.-backed military coup that toppled the socialist government of President Salvador Allende in 1973, the Chilean filmmaker made “The First Year”: an account of the inaugural 12 months of Allende’s rule. Guzmán traveled through Chile, interviewing the working class about Allende’s socialist policies and accumulating a crackling portrait of hope and incipient change. The French filmmaker Chris Marker saw the documentary in 1971 and decided to help show it in France, enlisting numerous actors, including Delphine Seyrig, to dub the Spanish dialogue in French. That version, arriving this week in a sparkling restoration at Anthology Film Archives, is a remarkable document not only of a fleeting moment of historical promise, but also of an earnest gesture of international solidarity.
Persons: Patricio Guzmán, Salvador Allende, Guzmán, Chris Marker, Delphine Seyrig Locations: Chile, , Chilean, French, France
From web-slinging diversions to archaeological excursions, this summer movie season is stacked with releases across a variety of genres. Our writers who seek out the most interesting picks in horror, international, science fiction, action and children’s movies each month scoured the summer calendar to come up with the films that have their attention. Horror“Host,” Rob Savage’s terrifying 2020 found-footage movie about a possessed online séance, will go down as a defining pandemic-inspired horror film. Sophie Thatcher stars as a young woman who battles a home-invading supernatural entity that feeds on the suffering of its victims. Not only is Wilson reprising his role as Josh Lambert, father to a now college-age son, but he’s also making his directing debut.
Happy 100th Birthday, 16-Millimeter Film
  + stars: | 2023-04-18 | by ( Devika Girish | ) www.nytimes.com   time to read: +2 min
One hundred years ago, the Eastman Kodak Company introduced a shiny new camera that promised to revolutionize moviemaking. The technical marvel, however, wasn’t just the camera but also the film inside. Until 1923, the film used most commonly in motion pictures was 35 millimeters wide. Until digital video arrived in the late 1990s, 16-millimeter film was the mainstay of the amateur or independent filmmaker, requiring neither the investment nor the know-how of commercial cinema. The third film, “Black Faces” from 1970, was an ebullient, one-minute montage of portraits of Harlem residents.
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