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☆ Watch: The Solo of ‘Solitude’
▼ + stars: | 2024-03-25 | by ( Gia Kourlas | Stephan Alessi | ) www.nytimes.com time to read: 1 min

Watch: The Solo of ‘Solitude’Click through as Joseph Gordon performs a section from Alexei Ratmansky’s new dance for New York City Ballet, a reaction to the horrors of the war in Ukraine.

Persons: Joseph Gordon, Alexei Ratmansky’s Organizations: New York City Ballet Locations: Ukraine

☆ At City Ballet, 2 Sparkling Premieres and Many Moments to Remember
▼ + stars: | 2024-03-08 | by ( Gia Kourlas | ) www.nytimes.com time to read: +2 min

For a company to unveil a decent new ballet is a strange and marvelous occurrence. To unveil two in one season? Quality choreography that celebrates classicism, that highlights musicality — that even pushes the form into new realms — isn’t the norm. But at New York City Ballet this season, two premieres were worthy of many more viewings — and in the case of Alexei Ratmansky’s harrowing “Solitude,” set to Mahler, endless ones. Inspired by a 2022 photo of a Ukrainian father kneeling before the body of his dead son, the ballet filled the stage with bodies expressing the tangible ache of grief and love.

Persons: Alexei Ratmansky’s, ”, Mahler, Ratmansky, —, “, Tiler Peck, Francis Poulenc, Peck, Peter Martins, Jerome Robbins, George Balanchine’s, Mary Thomas MacKinnon’s Organizations: New York City Ballet, City Ballet, della Locations: New, Ukrainian, della Regina

☆ Review: Alexei Ratmansky Unleashes the Pain of War at City Ballet
▼ + stars: | 2024-02-16 | by ( Gia Kourlas | ) www.nytimes.com time to read: +1 min

Or, worse, when that world is breaking down with such vehemence that the air seems to grow more toxic by the minute? In Alexei Ratmansky’s new ballet “Solitude,” dancers waver and buckle as inner and outer forces wreak havoc on their bodies. Ratmansky’s latest ballet, his first as artist in residence at New York City Ballet, is about war — the devastating war in Ukraine, the country where Ratmansky grew up and where his parents still live. That grief — the solitude of “Solitude” — is apparent from the start. The principal dancer Joseph Gordon kneels before the limp body of Theo Rochios, a young student of the company-affiliated School of American Ballet.

Persons: Alexei Ratmansky’s, Gustav Mahler, Ratmansky, David H, Joseph Gordon, Theo Rochios, Gordon Organizations: New York City Ballet, Koch, American Ballet, Rochios Locations: New, Ukraine, Russian, Kharkiv

☆ How Jewish People Built the American Theater
▼ + stars: | 2023-11-29 | by ( Jesse Green | ) www.nytimes.com time to read: +46 min

Let Us Tell You A Story How Jewish people built the American theater as we know it. The theater, which for many Jews was a major way of becoming American in the first place, seems unable to acknowledge that the danger that American Jews face is not just historical, and not just onstage. (Both of Adler’s parents were Yiddish theater stars — her father, Jacob Adler, was a renowned Shylock in 1903.) Embedding their own observation and experience within Stanislavsky’s, along with the best of Yiddish theater and a generous dollop of Freud, they converted the American theater to Judaism. Sara Krulwich/The New York TimesThe Jewish contribution to the creation of the American theater was built on the acknowledgment of a larger humanity alive within each of us, available to some, with natural empathy and rigorous training.

Persons: Glocca, “, Lerner, Loewe, ”, Isidore Hochberg, Burton Lane, né Burton Levy, William Goldman, “ Killybegs, Sammy Davis Jr, Julie Andrews, Connie Francis, Rosemary Clooney, Tommy Dorsey, Davis, —, Arthur Miller’s “, joyously, Jason Schmidt, Christine Jones, Miller, I’ve, Marilyn Monroe, Robert Brustein, Neil Simon’s, ” Cynthia Ozick, Sholom, Philip Roth, Simon, Leonard Bernstein, Matt Nadel, Bradley, Bernstein, “ Maestro, Shylock, William Shakespeare’s “, Venice ”, Shakespeare, Christopher Marlowe’s, Farah Karim, Cooper, Bard ”, “ Merchant, Tom Stoppard’s, Sara Krulwich, Ansky’s, Stella Adler, Bessie Berger, Clifford Odets’s, Arthur Miller, Elia Kazan, Francis Joseph Bruguière, Billy Rose, Eugene Smith, Roth, Arthur Schnitzler, Juliet Stevenson, Ruth Wolff, Lorraine Hansberry’s, Sidney’s, Alex Edelman’s “, Leo Frank, Bernard B, Frank, Mandy Patinkin, James Lapine, Stephen Sondheim’s, George, Martha Swope, outspokenness, creatives, Oscar Isaac, Sidney, “ Sidney Brustein, Isaac, Stevenson, Robert Icke, Roman Catholic Cooper, Rachel Brosnahan, Maisel, Joan Rivers —, Brosnahan, Sidney Brustein’s, Alec Guinness, Fagin, “ Oliver Twist, I’m, Micaela Diamond, Ben Platt, Lucille, Alfred Uhry, Jason Robert Brown’s, Rivers, Wolff, Robert, Republic ”, isn’t, LEE Strasberg, Konstantin Stanislavsky’s, Fyodor Ivanovich, Strasberg, Israel Strassberg, Zalmon, Srulke, Joseph Stein, Sheldon Harnick, Jerry Bock’s “, Bette Midler, Jackie Hoffman, Photofest Stanislavsky, Theater’s, Isaac Butler, Stanislavsky, Harold Clurman, George Bernard Shaw, Henrik Ibsen, Clurman, Adler, Jacob Adler, Freud, Rebecca Naomi Jones, Ruthie Rivkin, Jerome Weidman, Harold Rome’s “, John Weidman, disown Strasberg, Sanford Meisner, Bobby Lewis, né, Marlon Brando, James Dean, Meisner, Robert Duvall, Lewis, Meryl Streep, Clifford Odets, Jacob Garfinkle, Jules Garfield, Odets, Sam Feinschreiber, Garfield, Ralph Berger, wasn’t, John, Tovah Feldshuh, Golda Meir, William Gibson’s, Aaron Epstein, exigencies, Bessie, Feinschreiber —, loveless, William Fox, Louis B, Mayer, Jack Warner, Marjorie Morningstar ”, Morgenstern, Marjorie, Natalie Wood, Anne Frank ”, Millie Perkins, Audrey Hepburn, Susan Strasberg —, Ibsen, Sholom Aleichem, August Wilson, Daveed Diggs, Thomas Jefferson, Lin, Manuel Miranda’s “ Hamilton ”, Adrian Lester, Emanuel Lehman —, Barbra Streisand, Marmelstein, George Silk, Miller’s, Sophie Okonedo, Elizabeth Proctor, Ben Whishaw, John Proctor, Jan Versweyveld, Don’t, — Bernstein, Stoppard, Schnitzler, Jeanine Tesori, Tony Kushner’s “ Caroline, Sharon D Clarke, Adam Makké, Noah Gellman, Leo, Stoppard —, Hermine, ” Leo Frank, there’s, Matthew Broderick, Eugene Jerome, it’s, Edelman’s, Queens bigots, David Yosef Shimon ben Elazar Reuven Alexander Halevi Edelman, Woody Allen, Joshua Harmon’s, — George Gershwin, Jerome Kern, Richard Rodgers, Porgy, Bess ”, Barns, Alex Edelman, Paula Vogel, Harvey Fierstein, Jordan Taylor Fuller, — that’s, Wendell Pierce, Friedman, Jacobs, Hirschfeld, Gershwin, Rodgers, PAULA VOGEL, BRANDON URANOWITZ, DAVID CROMER, MICAELA DIAMOND, TONY KUSHNER, Diamond, Monica Rich Kosann, Marco Bicego, JESSE EISENBERG, MATTHEW BRODERICK, AMY HERZOG, LESLIE RODRIGUEZ KRITZER, JOEL GREY, Herzog, Michael Kors, Kritzer, Marco, HARVEY FIERSTEIN, LIEV SCHREIBER, ETHAN SLATER, IDINA MENZEL, TINA LANDAU Organizations: Broadway, Broadway’s Lyceum, “, of Venice, New York Times, Defamation League, New York Public Library, Performing, Vandamm, Billy, Billy Rose Theatre Division, Performing Arts, New, Jacobs, Empire State, Nazi, Goyim Defense, The New York Public Library, Roman Catholic, New York City, Street, Moscow Art, Group, Hollywood, Disney, Everett, The New York Times, Philadelphia, Brit, Times Locations: Poland, American, kilts, E.Y, Harburg, Kilkerry, Kildare, Philadelphia, New York, Polish, Massachusetts, Vichy, Biloxi, Venice, Malta, of, ”, Germany, playgoers, Sweden, England, United States, Pittsburgh, Nazi, Brustein’s, Greenwich, Georgia, Gutenberg, “, Atlanta, Republic, New, Konstantin Stanislavsky’s Moscow, Russian, America, Moscow, Stanislavsky’s, Clurman, Eastern Europe, Czech, Austrian, Auschwitz, Heini, Southern, Brighton, Rivers, French Republic, “ Brigadoon

☆ At Ballet Theater, a Thrilling Puck and a Moment to Take Stock
▼ + stars: | 2023-10-30 | by ( Brian Seibert | ) www.nytimes.com time to read: +2 min

Where “The Dream,” a Ballet Theater staple in recent decades, is a reliable showcase for the company’s theatricality, George Balanchine’s “Ballet Imperial,” on the same program, is good for displaying the troupe’s classical chops across its ranks. Unlike New York City Ballet, which has called the work “Tschaikovsky Piano Concerto No. 2” since the 1970s, Ballet Theater doesn’t downplay the imperial Russian associations, using a backdrop of St. Petersburg. That’s a choice that might disturb some viewers, but Ballet Theater’s rendition also had aesthetic problems. De la Nuez goes for it, too.

Persons: George Balanchine’s, ”, That’s, Skylar Brandt, Isabella Boylston, James Whiteside, Alonzo King’s, Alexei Ratmansky’s “, Jason Moran, Robert Rosenwasser, Jim French, Brandt, Calvin Royal III, King, Michael de la, De la Nuez Organizations: Ballet, New York City Ballet, Dnipro ” Locations: St . Petersburg

☆ Review: Ballet Theater Revisits Its Past With a Hit and Two Misses
▼ + stars: | 2023-10-19 | by ( Gia Kourlas | More About Gia Kourlas | ) www.nytimes.com time to read: +1 min

American Ballet Theater opened its fall season on a high note: Alexei Ratmansky’s “Piano Concerto No. The program, part of the first New York season created by the company’s artistic director, Susan Jaffe, gradually lost steam. “Petite Mort” (1991) is flimsier than ever. Devon Teuscher’s clean, classical elegance lent the overlong work a boost of grace and energy, but the ballet, created in 1948, is hardly a good time capsule. In a program note, Lander describes his ballet as “an expression of myself, and of my thoughts on dance.

Persons: Alexei Ratmansky’s “, Mort ”, Jiri Kylian, Harald Lander, Susan Jaffe, Devon Teuscher’s, George Balanchine’s, Frederick Ashton’s “, ”, “, Lander Organizations: Ballet Theater, New, Lincoln Center Locations: New York

☆ Is this what Banksy sounds like? Old interview may hold the key
▼ + stars: | 2023-07-17 | by ( Caolán Magee | ) edition.cnn.com time to read: +2 min

CNN —The identity of the elusive street artist Banksy has always been shrouded in secrecy, but a new BBC podcast may have unveiled a new detail about the art world’s mystery man. The 10-episode series, “The Banksy Story,” includes a recording of what may be the graffiti artist’s voice from a recovered 2005 interview with US National Public Radio (NPR). “You can’t make an omelet (without breaking eggs),” he replies, before adding: “That’s the thing: Mindless vandalism takes a lot more thought than most people would imagine.”Since the 2005 interview, Banksy has become a household name. Bansky’s street art is currently featuring in his first official exhibition in 14 years. “Banksy: Cut & Run” at the Gallery of Modern Art in Glasgow, Scotland, features stencils used in work throughout his career, from the late 1980s to recent pieces made this year.

Persons: Banksy, , “, ”, “ Banksy Organizations: CNN, BBC, US National Public Radio, York’s Museum of Modern Art, American Museum of, Brooklyn Museum, NPR, Modern Art Locations: Christie’s, London, Ukrainian, Borodianka, Glasgow, Scotland

☆ They Hold Weeds, and an Artist’s Sublime Vision
▼ + stars: | 2023-07-06 | by ( Roberta Smith | More About Roberta Smith | ) www.nytimes.com time to read: +1 min

The David Kordansky Gallery has mounted a wonderful wormhole of an exhibition, “Doyle Lane: Weed Pots.” Its point of access is the small unassuming “weed pot,” a frequent accent in modern California interiors starting in the late 1950s. From this seemingly modest beginning, Lane (1923-2002), who was African American, created a dazzling universe of color, shape, texture and proportion. He also made ceramic tile, pendant jewelry, paintings and murals, but the “weed pot" is his signature. Kordansky’s generous display of 100 pots is Lane’s first solo show in New York. Lane didn’t invent the “weed pot,” but as this exhibition proves, he perfected it.

Persons: David Kordansky, “ Doyle, Lane Organizations: African Locations: California, African American, New York, El Sereno, East Los Angeles, Peru, China

☆ Standing (and Dancing) Strong at New York City Ballet
▼ + stars: | 2023-05-29 | by ( Gia Kourlas | ) www.nytimes.com time to read: +1 min

If New York City Ballet’s spring season could be bottled into a fragrance, it would be fresh and green, with the earthy, sweet scent of a breeze after a bout of rain. The company, seemingly all of a sudden, looks so strong, and more important, so light. As a new generation of dancers at City Ballet finds its way, there’s not only more individualism, but more cohesion among individuals. “Concerto Barocco” (1941) and “La Source” (1968) are brilliant dances. City Ballet is bigger than they are, but they know that they are its current caretakers.

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