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NEW YORK (AP) — Errol Morris has just sat down with a reporter when his wife calls. The film, which opens Friday in select theaters and on Apple TV+, is based on le Carré's 2016 memoir of the same name. AP: The central, mysterious metaphor of le Carré's, “The Pigeon Tunnel" — a tunnel that funnels pigeons to shotgun-wielding men — looms throughout the film. Morris: I’ve often compared the writing to a Kafka parable, except John le Carré wrote it. I say to (le Carré) at some point: “History is chaos.” And he agrees, “History is chaos.”
Persons: — Errol Morris, “ I’m, ” Morris, , Morris, John le Carré, , “ Tinker, le, David Cornwell, It's, Ed Gein, Robert Bloch’s, Alfred Hitchcock’s, … Morris, It’s, Ed Gein’s, Didn’t Freud, I’ve, Robert McNamara, vindicating, , Saul Kripke, David, Steve, Bannon Organizations: Apple, Research Locations: British, Waushara County , Wisconsin, Morris
“It’s fascinating how people seek queerness — and where they seek queerness,” Fuller added. Murnau’s “Faust” and “Nosferatu,” such moments of levity keep viewers engaged while they’re soaking up early Hollywood’s rich queer history. “Whether you’re ideologically queer or sexually queer, you might relate to the monster’s narrative, because you, too, have felt ‘outsidered’ or villainized in some way.” Bryan fuller, 'queer for fear' executive producer“The Dracula costume kit is basically drag. So this, to me, is the experience of being a gay man.”As Alaska’s assessment demonstrates, “Queer for Fear” isn’t interested in just exploring how horror has provided a haven for queer creatives. Because of the Hays Code, LGBTQ creators and those, like Hitchcock, who wanted to include those themes had to do so through subtext, which counterintuitively gave birth to some of the most essential queer horror ever made.
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