The chance to have 13 dancers under contract, workshops to make sets and the possibility of large-scale productions.
Yes, I was trying to create movement that was about larger choreographic forms, constellations of bodies in organic formations.
After leaving the Schaubühne in 2005 you started to work with opera and ballet companies.
There was a decision not to do that, so I did “Dido and Aeneas” with the Akademie für Alte Musik.
I could create one big artwork, not divide singers, dancers, orchestra; that was very inspiring for me.
Persons:
Dido, Aeneas ”