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Search resuls for: "Adam Gopnik"


3 mentions found


I know there are objections to his view: At some moment, all accomplishment, however self-directed, has to become professional, lucrative, real. And surely many of the things that our kids are asked to achieve can lead to self-discovery; taught well, they may learn to love new and unexpected things for their own sake. There are many drugs that we swallow or inject in our veins; this is one drug that we produce in our brains, and to good effect. The hobbyist or retiree taking a course in batik or yoga, who might be easily patronized by achievers, has rocket fuel in her hands. The pursuit of accomplishment, what I call the real work, never ends, and always surprises.
The world’s best-known female conductor, Marin Alsop, revealed that she’s “offended” by her best-known fictional counterpart: Lydia Tár. It’s about women as leaders in our society,” Alsop, the chief conductor of the Vienna Radio Symphony Orchestra and a MacArthur “genius award” winner, told the Sunday Times. Now, there is just one: Stutzmann, who took the podium at the Atlanta Symphony Orchestra in October. While “Tár” may have struck a nerve with Alsop, it appears to have had the opposite effect on film critics. Focus Features, the U.S. distributor of "Tár," did not immediately respond to NBC News' request for comment.
Why did Field create Tár as a lesbian rather than a straight woman, or one of the great men themselves? The decision by director and screenwriter Todd Field to make Tár a lesbian unsettled me. The film’s core is not so much about a lesbian predator but about the more general use and abuse of power, including sexual power, that Lydia wields at will. So why did Field create Tár as a lesbian rather than a straight woman, or one of the great men themselves? — “Tár on Tár,” and is soon to conduct a landmark live recording of Gustav Mahler’s “Symphony No.
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