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Search resuls for: "” Hesse"


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Eva Hesse, the German American artist, wanted her work to look “ucky,” and accordingly, many of her sculptures can make your skin crawl. They behave like skin themselves: irregular in texture, their craggy folds suggesting, unnervingly, something alive. Hesse, a post-Minimalist of the 1960s (she died in 1970), dismantled the ideological scaffolding holding up what was considered art, often by reimagining industrial, non-art materials. They spread across the floor and crept up walls, unruly and impolite, like little else art had seen before. They’re given ample breathing room across the gallery’s ground floor, cool and low-lit, which gives a revenant, sepulchral flavor.
Persons: Eva Hesse, Hesse, ” Hesse, Hauser Organizations: Hauser & Wirth, Guggenheim, MoMA, Wexner Center, Arts, Ohio State University, University of California, Berkeley Art, Wirth’s, Pompidou Center Locations: German American, Hesse, Manhattan, Maryland, Paris
A New Survey Erases Male Artists From the Western Canon
  + stars: | 2023-05-02 | by ( Tiana Reid | ) www.nytimes.com   time to read: +2 min
But although her index of names succeeds in providing some answer to the question posed in Linda Nochlin’s trailblazing 1971 essay “Why Have There Been No Great Women Artists?,” Hessel does less than Nochlin did, 50 years ago, to unsettle the terms of the question itself. Can inserting women into the art-historical canon interrupt the system of canonization itself? Why does Hessel rely on the same methods of archival organization — linear history, market-based tastes, distinct genre boundaries — that played a part in producing women’s very exclusion? How instead might the fact of women’s presence disrupt the presuppositions of art’s place in the world? An especially moving chapter, “The Body in Sculpture,” initiates an answer.
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