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And on Thursday, Garland showed that he was getting some things right: Dance Theater, now in its 55th season, has a vintage kind of glow. The company, along with its dancers, seems to be more sure of itself: It’s growing into a sense of style. Honoring Mitchell was a reminder of why Dance Theater, born after the assassination of the Rev. Along with showcasing the transformative power of ballet, Garland writes in the program, Mitchell used Dance Theater as a means for social justice in part by way of its repertoire: George Balanchine ballets were performed alongside works by Black choreographers like Geoffrey Holder. 2,” which braids social dance with classical ballet.
Persons: Robert Garland, “ Arthur Mitchell, , Robert, , — Mitchell, Garland, Mitchell, Martin Luther King Jr, George Balanchine, Black, Geoffrey Holder, curation, , , Marius Petipa Organizations: New York City Center, Dance Theater of Harlem, Locations: New
After the first few songs — including rousing, singalong renditions of “Big Yellow Taxi” and “Raised on Robbery” — a recognition seemed to ripple through the crowd: Mitchell’s voice had grown even stronger, richer and nimbler in the year since those Newport videos went viral. In that previous performance, Carlile had often guided Mitchell or taken on lead vocal duties herself. But at the Gorge, Mitchell was once again in control. Mitchell held court in pigtail braids, chic sunglasses and a floral silk shirt that billowed in the canyon winds. Part of any Joni Jam is not just singing with Mitchell, Carlile told the crowd, but singing for her.
Persons: , Carlile, Mitchell, Concertgoers, — Mitchell, Joni Jam, Mitchell’s, Sarah McLachlan, ” Annie Lennox, Wendy Melvoin, Lisa Coleman, ” Melvoin, Prince, Lisa, Joni Organizations: Newport Locations: Japan, San Francisco, Saskatoon, Saskatchewan
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